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Demon Days by Gorillaz

Silent Alarm by Bloc Party

Metallica (Black Album)

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[–] [email protected] 31 points 6 months ago* (last edited 6 months ago) (4 children)

Tragic Kingdom by No Doubt

Blood Sex Sugar Magic by Red Hot Chili Peppers

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[–] [email protected] 24 points 6 months ago (10 children)

Smashing Pumpkins: Mellon Collie and the Infinite Sadness

R.E.M. - Automatic for the people

[–] [email protected] 7 points 6 months ago (3 children)

These are great. In this vein I add:

Pearl Jam - Yield

(and forgive me but)

Radiohead - OK Computer

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[–] [email protected] 23 points 6 months ago (4 children)

Gorillaz fell off? Since when?

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[–] southsamurai 18 points 6 months ago

Sadly, Guns n Roses, Appetite for Destruction.

Nothing any of them have done since has matched the quality of creativity that they did on aod.

I'm not saying I didn't like the use your illusion pair, and Slash has done some damn good work on specific songs in his various projects. But the band as a whole fell off hard after their very first. Axl in particular kinda lost his songwriting during use your illusion, which had some great songs, but it wasn't consistently great as albums

[–] [email protected] 18 points 6 months ago

Massive Attack - Mezzanine

They still had a few good tracks afterwards but that album really was a masterpiece.

[–] [email protected] 17 points 6 months ago (1 children)

Modest Mouse - The Moon and Antarctica

This is really the only band I have that hipster thought that they were better before they got big. This was the last album they made that I love every song on. Then they dropped Good News for People Who Like Bad News and their style was almost completely different, but also got many more people listening to the band.

Similarly I liked Kings of Leon before they changed the original vocalist. They had a rather unique sound when I discovered Aha Shake Heartbreak, but by Only By The Night, they had completely lost everything about their sound that I liked.

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[–] [email protected] 16 points 6 months ago* (last edited 6 months ago) (1 children)

The Suburbs by Arcade Fire

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[–] [email protected] 16 points 6 months ago

Metallica (Black Album)

~~Is this a joke? This is where they're newfound mediocrity was cemented. They peaked at Ride the Lightning, everything after that was more and more watered down garbage.~~

Sorry, I meant I strongly disagree.

[–] [email protected] 15 points 6 months ago

Girl You Know It’s True- Milli Vanilli

[–] [email protected] 14 points 6 months ago (1 children)

Breakfast in America - Supertramp

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[–] [email protected] 14 points 6 months ago (2 children)

And Justice For All.... By Metallica

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[–] [email protected] 13 points 6 months ago (5 children)

Nine Inch Nails - Pretty Hate Machine

[–] funkless_eck 11 points 6 months ago

lmao.

if you don't get it — it's his first album

[–] [email protected] 8 points 6 months ago

as nin albums became less driven by chunky 80s synthesisers and more driven by guitars, they got worse. however, the quake soundtrack and ghosts I-IV are excellent, in my opinion.

[–] [email protected] 8 points 6 months ago (2 children)

I find myself listening to year zero a lot, maybe I'm too big a fan of NIN in general. Something I like from every album.

[–] [email protected] 6 points 6 months ago

I’ve been a NIN fan since way back and I felt like every album was their best before falling off with pretty much every album when it first releases. After a couple of listens and thinking I’m not gonna ever get into the new stuff, I catch myself having songs off their newest album stuck in my head only to repeat the process with the next one.

This happens to Queens of the Stone Age with me too but less so. I always go into a new Qotsa album with the understanding that it’s going to take a couple listens before it becomes my new favorite album.

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[–] prettybunnys 12 points 6 months ago (2 children)

Wait you think the Gorillaz fell off after Demon Days???

[–] can 13 points 6 months ago (4 children)

Not dramatically but it was the best and none topped it.

[–] prettybunnys 15 points 6 months ago* (last edited 6 months ago) (1 children)

Plastic Beach was straight fire IMO

Maybe my notion of falling off is different, I consider falling off “and then they were irrelevant” so to speak. I could just have the wrong idea

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[–] [email protected] 11 points 6 months ago* (last edited 6 months ago)

A Rush of Blood to the Head by Cold Play...

Of what came after I like X&Y and Mylo Xyloto too, but this one was their best.

I know bands can change their style over 20 years, and I'm glad the band can be happy touring and making music they like and I don't hate people that like their new stuff, but something about the brilliant, raw feeling their music had (imo anyway) gave way for generic electronic music trend-chasing. When I heard "Higher Power" I was like "wow it's The Weekend just with Chris Martin singing."

[–] [email protected] 11 points 6 months ago (6 children)

Wait a second, no way you're slandering Plastic Beach like that. PB is equal to DD, some days it hits better even.

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[–] [email protected] 11 points 6 months ago (1 children)

Sex Pistols - Never Mind the Bollocks, Here's the Sex Pistols.

[–] [email protected] 8 points 6 months ago (1 children)

I’d agree with this, except they only really recorded a single album. The Rock n Roll Swindle was just a bunch of outtakes and session recordings mostly done after Johnny had left

[–] [email protected] 11 points 6 months ago (1 children)
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[–] [email protected] 10 points 6 months ago (3 children)

The Flaming Lips - Yoshimi Battles The Pink Robots (2002)

They had an incredible decade prior to this releasing 3 other top notch albums, but by far this one sticks out as the most successful and easiest to pickup. They have a lot more after this release as well, but I think Wayne found himself diving into an era of depression and it absolutely showed on those later releases. The last release was good but also nothing special at the same time.

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[–] [email protected] 10 points 6 months ago* (last edited 6 months ago) (5 children)

Green Day - American Idiot. It's not that I dislike what came after, but 21st Century Breakdown feels disjointed, the Trilogy has really low lows, and they stopped being ambitious after that and just put out two "pretty good" albums and one awful one.

Also even if you don't like their '00s sound, I seriously don't get why Dookie is more well-liked than Nimrod beyond "it had more hits and I heard it first."

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[–] [email protected] 9 points 6 months ago (2 children)

This seems to happen with progressive rock at alarming levels. They just reach a point where they take their pretentious bullshit a little too far, and the fans grow weary of it. You saw that with Jethro Tull, which pushed its luck with A Passion Play after scoring a critical success with Thick as a Brick. Yes took it too far with Topographic Oceans. I'm sure ELP has an album where they pushed the envelope a little too far and pushed away the audience in the process. Unfortunately, that had a pendulum effect, with ELP releasing the wimpy Love Beach in an attempt to reel back in those lapsed fans.

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[–] Kecessa 9 points 6 months ago* (last edited 6 months ago) (15 children)

Green Day - Dookie

Radiohead - Kid A/Amnesiac

System of a down - Toxicity

Queens of the Stone Age - Songs for the deaf

The Offspring - Smash

I love that game!

[–] [email protected] 7 points 6 months ago (1 children)

I agree that Songs for the deaf is QOTSA's magnum opus, but majority of their other albums are bangers too and it feels unfair to say they fell off after it

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[–] [email protected] 6 points 6 months ago

Fair enough 'Steal This Album' has a few flat tracks but there are so many great songs. Also, every song on Mezmerize is wicked. Granted, not in the same mood as Toxicity but far out... So so good.

[–] [email protected] 6 points 6 months ago (1 children)
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[–] [email protected] 9 points 6 months ago* (last edited 6 months ago) (1 children)

Wolfmother by… Wolfmother

I can name every song and lyric from that album but don’t ask me about anything else by them. Iirc the band basically split post album

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[–] [email protected] 8 points 6 months ago* (last edited 6 months ago) (1 children)

At the drive in - Relationship of Command
Refused - The Shape Of Punk To Come Tocotronic - Digital ist besser

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[–] [email protected] 8 points 6 months ago (4 children)

Funny with Metallica … I think there’s an argument that Death Magnetic (2008) is, for the thrash fans, the “Black Album” they wanted.

[–] [email protected] 7 points 6 months ago (2 children)

The bad thing about Death Magnetic. You have the loudness war thing about the album. To an point you have people saying the Guitar Hero version sounds better then the album version.

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[–] [email protected] 7 points 6 months ago* (last edited 6 months ago) (1 children)

It seems popular to think that Load, Reload, and St. Anger are the worst Metallica albums. If that's the truth, they fell off after the Black Album. In this case, Death Magnetic is a comeback album, not the creative zenith before their worst albums because it happened after their worst albums. With that said, my vote would be And Justice For All... if we're speaking about their creative zenith. It's the most progressive musically. The Black Album is more representative of their sound at the zenith of their popularity.

[–] [email protected] 5 points 6 months ago

Yep agreed. I think it's fair to call the black album a successful and good album for what they were trying to do, which was walk back the progressive metal thing and go for punchy simpler music. Enter Sandman and Nothing Else Matters are basically pop classics now, which in the case of Sandman is really something as it's undoubtedly a metal or heavy track.

Otherwise yea, Justice is awesome, and my personal favourite, however much Master might be objectively better or more consistent. Something people forget about Justice, but which always resonated when I first gave it a listen, is the progressive themes.

First four tracks: Blackened, And Justice For All, Eye of the Beholder, One, which are thematically Environmentalism, Corruption, "Manufactured Consent" (free thinking), War.

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[–] [email protected] 7 points 6 months ago

Double Nickels on the Dime, Minutemen. Also probably the best power trio record ever made. Granted, they only made one more record before D Boon died, but as legendary as he is, Mike Watt has still never done anything as good since.

[–] [email protected] 6 points 6 months ago (3 children)
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[–] [email protected] 6 points 6 months ago (3 children)

This is gonna be a really spicy take - Nightmare by Avenged Sevenfold. Pretty much every song is a banger and Save Me is a masterpiece. The singing is on point. I debated Waking the Fallen, but sadly I feel that some songs on that album just aren't up to the same quality (and Nightmare is much more approachable).

As for albums after Nightmare, Hail to the King was okay, The Stage was good but flawed (we got so many songs, but the mixing wasn't very good imo) and Life Is But A Dream is.... Just not good - again, in my opinion as a long-time fan.

Before Nightmare, self-titled was okay (certain songs like Unbound kinda pull it down for me, but they're not straight SKIPS per se) and City of Evil was amazing but not quite Nightmare quality in my opinion (just because of Matt's nasally singing, especially in songs like Seize the Day). WtF I've already went over, and Sounding the Seventh Trumpet honestly only had a few good songs in my opinion.

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[–] [email protected] 6 points 6 months ago* (last edited 6 months ago)

Bush: Sixteen Stone

Mathew Sweet: Girlfriend

[–] Atomic 6 points 6 months ago* (last edited 6 months ago) (1 children)

I'm not saying Minutes to Midnight was Linkin parks zenith. But I thought it was fine, it was different for sure. But not bad at all IMO.

After that however, I don't think they released a single song i liked.

[–] [email protected] 9 points 6 months ago

I know a lot of people didn't like it because it was a departure from their earlier style but I honestly think A Thousand Suns was their peak. I don't even like all the songs on it, but each one was so obviously crafted with care and intent, and you could tell they were really all-in on it. I think the exploration of their talents through a post-apocalyptic concept album really challenged and brought out the best in them.

I miss Chester still :(

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