this post was submitted on 17 Feb 2025
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[–] [email protected] 37 points 3 months ago (8 children)

It's really ironic that a lot of people equate game soundtracks with some sort of "kid music" or something that isn't "real music".

Most of UT2004's OST could be used on a rave and nobody would know any better.

[–] [email protected] 13 points 3 months ago

UT music made me remind that electronic music can be good in the times when my main exposure for such music were really bad trance songs, but which had (awful) Hungarian lyrics, thus was a "must listen to" in my country.

[–] [email protected] 11 points 3 months ago (2 children)
[–] [email protected] 6 points 3 months ago

The doom OST are absolute bangers. Can't argue with that.

[–] [email protected] 3 points 3 months ago (1 children)
[–] [email protected] 3 points 3 months ago

Doom 2016 genesis sound engine crushed.

[–] [email protected] 5 points 3 months ago

**Marty O'Donnell has entered the chat

[–] [email protected] 4 points 3 months ago

There's this music genre in Brazil called funk (different to the US funk from the 70), and they're pretty experimental on what they mix in and they use a lot of chip tune and other video games songs mixed. One of those DJs (DJ Bassan) regularly mix in donkey Kong or Chrono Trigger OST in the middle of her sets.

[–] [email protected] 3 points 3 months ago

I’d personally throw the Frostpunk OST in their face and see how they react.

Especially The City Must Survive.

[–] [email protected] 2 points 3 months ago

https://www.youtube.com/watch?v=05WLzGHQgZ8

This song is, and always will be a massive banger.

[–] [email protected] 1 points 3 months ago

I’d personally throw the Frostpunk OST in their face and see how they react.

Especially The City Must Survive.