spankinspinach

joined 2 years ago
[–] spankinspinach 7 points 1 day ago

Nah I think you got it. Veiling art as hostile architecture is fairly common so I think the artist lead took over and they forgot the intent of ruining someone's ability to sleep haha

[–] spankinspinach 5 points 2 days ago

This was the perfect balance of sardonic response and 90s/early 2000s

[–] spankinspinach 17 points 2 days ago (2 children)

I see what you're digging at, I was confused by them too. Hostile architecture meets just plain terrible design?

[–] spankinspinach 1 points 2 days ago

Hahaha ever since I saw your msg I've been wanting to use the phrase: You want to disabuse me of the notion that this is a one-and-done purchase. I like it, what I'm learning as I read and review responses is that there's a lot to learn, a lot of growth to be had, and a lot of money to be spent.

I'm glad to hear that the cropped sensor is a reasonable starting point, and maybe even a little overdoing it - I can live with having a few functions that remain mystical for a while!

Thanks for sharing about the issues you had with Fujis, it sounds like they're at least decent cameras with largely foreseeable issues across the years? Based on your comments and some of the known issues with the X-Ts, it seems like they've done this before.

I love the story of how you got to where you are, I see a reflection of how I think I'd want to approach this - with intent, both in the photos and learning/buying the equipment. Even as I've started talking about this, I've already started looking at things a little differently - seeing much smaller photo opportunities around the city, moments that would have been fun to capture.

All this to say, I don't mind learning the camera/lenses, their advantages and drawbacks. If you're gonna spend more than 2k on any given item, might as well get to know its abilities - I think the lenses are gonna be a danger to my pocketbook after looking into them a bit hahaha. Man, they get expensive. I think my hope is that the X-T5 (which I seem to be settling on) will be a solid all-rounder for at least a couple of years, to investigate the hobby further, build my skillset, and see what I actually end up using it for. While I started at landscapes/slow-moving nature, as I mentioned above about seeing small opportunities, it seems to be evolving just by talking about it.

I really appreciate this last bit of advice. Its a good philosophy that I keep coming across - it's not just about the camera, it's about the person behind it and how they use it.

[–] spankinspinach 1 points 2 days ago

That's a great point. I was quite worried about the Autofocus on the recent X-Ts, early reviews indicated they did a lot of searching for nothing haha - my love of sticks and leaves is great, but usually tapers out around the time I'm busy admiring a bird or smtg. It sounds like at least a few reviewers have found Fuji has dialed it in in the past little bit. But also that if I want --AMAZING-- AF, just to go with Canon or Nikon(?).

Is there any particular setting/requirements that you'd recommend looking for in a camera when it comes to ease of focusing modes?

As I talk about this, I'm realizing that I will want some attn to go to wildlife and potentially some low-light photography (e.g. dusk-time animals in a field comes to mind), but more of an opportunistic thing than the dedicated daylight shots/landscapes/etc. I absolutely plan on hiding behind the AF for a while, but do hope to make use of some of these settings as I improve.

[–] spankinspinach 1 points 2 days ago* (last edited 2 days ago)

This may have missed the point of your asking, but I wrote it so I'm posting it lol my apologies if it's not what your looking for:

I'm gonna advise a thought on what I had to do. I love being informed. But I reached such a level of depression and anxiety of the future that I had to do something.

So I stopped. I told myself it doesn't have to be forever, just a break. Took about 2 weeks of much less news consumption, forced myself to be brain-dead as much as possible. It led to a few conclusions:

The world turns. No matter what you do, ppl do insane shit. Taking a break for you doesn't mean stupid shit stops happening, but it makes it less the center of your world. You don't have to own it.

Life is about a lot more than what's going on in the news cycle. I have friends who never look at a newspaper, and they're far happier than I am overall. Just a thought.

The kicker - I still knew what was going on. The media milks a big story over days and weeks, so you can easily come back to your favorite website and pick it up quickly. Haven't missed anything that I could have changed regardless haha.

A great comment I saw a while back: put down the phone for a few days, and you realize it's still 2005 outside. The world is boring, but blessedly so. For your health, let it be 2005 for a bit.

Now, I just read the headlines unless something really grabs my attn. Reading the news makes many problems that aren't yours a you problem. Overall, I've realised it's the little things that make life better. Do the little stuff - help in your community, give the homeless guy a fiver, call your mom, ask the cashier how her day is (and genuinely care about her answer). If you're up for it, maybe then undertake some of the actions other ppl are suggesting about political action, volunteering, etc.

You can't pour from an empty cup, my friend. Take care of you first and the world becomes a little better ☺️

[–] spankinspinach 3 points 5 days ago

It's funny how, though this was sarcasm, it still bumped my blood pressure that teensy amount haha

[–] spankinspinach 1 points 5 days ago* (last edited 5 days ago) (2 children)

Dude, thank you.

Sorry it took me a bit to get back, wanted to give this my full attn. You've given me a lot to chew on, but reading this, I think my major takeaways are: a) image quality and getting there reign supreme (go full frame), b) recognize that my needs and priorities will evolve as I get deeper into the hobby (e.g., lens collection, post production, printing), and c) spending the $3-5k on a comparable full frame and some good quality lenses/attachments will be worthwhile, but lifespans on some gear are not as long as they once were. I hope that doesn't cheapen the value of your comments. Full disclosure, I hadn't given any real attention to printing (your highest recommendation), I was just excited at the prospect of better photos!

A couple of questions then:

a) I did a some research on full vs. cropped and their +/-, and compared two comparable-ish cameras (XT-5 vs. Sony A7 III/IV full frame), at least in price point. Is the cropped a reasonable intro for now, as I develop my eye for detail/style/preferences? Your comments suggest it's just not worth it. My thinking is, coming from a phone, everything should look better for a while, and I have a steep learning curve ahead. STEEEP lol. Does this seem like a reasonable interim approach? Or would you still just push for a full frame/end game camera?

b) I love your comment about how it feels in the hand and the joy of use. The comments on the X-T series suggest this is a pretty fun camera to use, which drew me to the X100VI initially (before realizing X-Ts are a better fit). I think on top of ergonomics, fun to use sounds important. Can you share some thoughts on your ergonomics/fun to use experiences with the X-Ts vs., for example, the Leica?

c) More of a comment: I'm mindful of the allure of Leicas. Even before this venture, I had heard of Leica, and decided against early on cuz they absolutely destroy anything like my budget lol. Since your camera history mirrors my potential future, did you find Leica lenses were good with an X-T? Or was it the apparent gap that made you go "screw it, getting a Leica full frame"?

Duly noted about the 70-200mm range, thank you! Also, I looked at lens prices and I see what you mean by out of control - holy crap.

Thanks again for your feedback, and sorry for deluging with more questions - just getting my bearings on what is turning out to be a rabbit-hole :)

[–] spankinspinach 1 points 1 week ago

This is a great thought! From my understanding, the 16-50 is supposed to be a remarkably good kit lens, so in discussion with the local shop, I'd initially planned to run that and maybe pick up a pancake/prime lens (not sure if I'm using that right) too.

But it sounds like maybe the 50 is a little short for wildlife shooting? This might be a lack of familiarity on my part of the "effective range" that lenses have.

I'll make a point of digging in a bit more detail on telephoto lenses - thanks!

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submitted 1 week ago* (last edited 1 week ago) by spankinspinach to c/[email protected]
 

Howdy folks, newbie here :)

I have recently been bitten by the photography bug, and so went shopping (as one does).

What I think I'm looking for is a primarily landscape/slow-moving wildlife camera, that will do double duty as my travel/events camera. I set out with an uninformed budget of approximately 1500 CAD (~1050 USD). I have no real intent of going pro, but want a good camera I can grow into. I had it down to 5 options, in decreasing order of price:

  • Fuji XT-5
  • Fuji XT-50
  • Fuji XT-30 ii
  • Nikon Z fc
  • Olympus OM Mark IV (V?)

(Yes, Fuji's aesthetic speaks to me lol). After discussing with the local camera shop, they recommended the top two, which were the ones that most had my attention but due to price were only mid-range in my purchase list. They had kind off "poo-poo"-ed the other three as going backwards (xt-30), or great cameras but would hit their limits in personal growth or technical ability (Nikon and Olympus).

After handling the two X-Ts, I found the XT-50 too small, even with a handle attachment, as I have fairly large hands. Which kind of leaves me at the XT-5. So, some questions:

a) Is this way too much to spend on a first serious camera? There seem to be mixed comments about this. This is a pricey camera (2800 CAD incl. 16-50mm kit lens, USD 1965 - double my initial budget). It is by all accounts pretty good, with some autofocus issues, e.g. for bird shots - that Fuji claims to be working on addressing. I'm willing to pull the trigger (click the shutter?) if it's worth it, I think - I don't mind spending more once on something that will last me a LONG time. Not really a factor, but this aesthetic has added value of being a show piece - you can have it on the shelf and appreciate that it's pretty.

b) Is ergonomics worth the extra ~300 bucks over the X-T50? On the surface it seems not, but a few have said it can be the difference between enjoying the hobby and letting it sit on the shelf.

c) Re: the autofocus - have any of you with similar cameras had any issues with this?

d) Are there durability issues with cameras, beyond the obvious? Internal components that can break, and etc?

e) Am I nuts? 😁

I'd be happy to look into some more Canon's, Nikons, and Sony, this is just the grouping that is holding my attention. I know you can get some fabulous cameras for this type of money.

Thanks in advance!

[–] spankinspinach 11 points 1 week ago

Interestingly, this is a reflection of a natural human phenomen. Evolution taught us to be wary of negative events (being dead is a bad look), and to remember them so they're less likely to get us. As a result, we bias towards negative information because it keeps us alive.

Positive events don't convey much more value than our base drives can figure out (e.g., this food good, can be eaten). So they aren't remembered without effort, and ppl prefer to share info on things that will keep us alive as opposed to things that make life a little more pleasant. It's a shitty system for modern life, but it worked to get us here lol

[–] spankinspinach 11 points 1 week ago

This is the most alarming experience. Especially in the middle of winter when fewer things have corn readily included

[–] spankinspinach 5 points 1 week ago

I would even argue the controversy about it is the point. It's art. It's meant to make you think about things you might not ever consider, and in the case of No Russian, it's the horror of committing a terrorist attack. Imo, it's an intentional but valuable (both financially and ethically) lesson in what art can do

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