ZkhqrD5o

joined 11 months ago
[–] [email protected] 5 points 21 hours ago

We don't talk about the lizard episode. And Tuvix.

 

The picture is not mine. I just adapted it. Don't know the original source.

[–] [email protected] 2 points 6 days ago (1 children)

Nice grade man.

[–] [email protected] 6 points 1 week ago

"Супер сус". Channel name is in Cyrillic.

[–] [email protected] 2 points 1 week ago

I'll keep that in mind next time, thanks.

[–] [email protected] 2 points 1 week ago

I like it way more than the original. Yes, the background's darker, but the heron is the correct exposure. And only the heron, so you have a point where the eye is drawn to. I think with one of the presets in the article it would be even better.

 

What do you guys think of cross-posting? I usually post this on a photography lemmy first and then just cross post here. Right thing to do, wrong thing to do?I'm new here. Tips are appreciated.

 
[–] [email protected] 2 points 1 week ago* (last edited 1 week ago) (1 children)

Well, Darktable by default gives you a proper looking input without having to do anything. It will look boring, but right. So there's nothing you need to do to make it look like a normal picture. Also, if you want, there are manufacturer-specific presets directly built in, which make it look a bit nicer.

Also you can use 3D LUTs files. They are essentially like program agnostic styles. Be sure to set the colour space properly to the colour space of the LUT when you use them, however.

Here's an article with a download link that gives you a few very high quality ones. They're all strictly scene-referred, not display-referred like the other programmes, so they are consistent across pictures.

https://onecameraonelens.com/2022/10/13/a-selection-of-darktable-styles/

Also, if you want to do white balance with Darktable, do not do it with the white balance module, but with the color calibration module. The white balance module does something very different in a scene referred process.

Lastly, I highly recommend you also do your own ones because it's fun and it will make your pictures look unique, since it will be your own unique creative colour grade.

If you have any questions, DM me.

Edit: Fixed typo.

[–] [email protected] 2 points 1 week ago

Communities thrive on fresh content. I'm doing my part! Do your part too, citizen! Would you like to know more?

[–] [email protected] 7 points 1 week ago* (last edited 1 week ago) (3 children)

Personally, I found Darktable to be the by far best raw editor I've ever used, and I used quite a few.

I used to think, that digital editing was hard and that I was quite bad at it until I tried Darktable. Darktable is easier and it gives you more consistent and predictable results than any other raw editor. Reason is that other raw editors basically just try to make it look good on the screen and then apply any transformations on top of the "good-looking" copy (Display-Referred workflow), which leads to unpredictable results. I can speak from experience when I say Darktable saves me countless hours in my job. Software really makes a massive difference in your photos and workflow and Darktable's FOSS. So no harm in trying. Yes, I'm shilling Darktable hard because it is so good. Believe me, if you ever had to do any sort of advanced editing in Lightroom or Capture One, you know what I'm talking about when you try twisting the programme's arm into giving you something acceptable and then trying making it look consistent with other pictures.

Best example is highlight recovery. Most programmes don't do real highlight recovery. They just give you back what the camera has already recorded, but have deliberately thrown away to give you a good looking copy right when you load the image the first time. Thanks to applying a curve first, and then everything else on top of said base curve. So if you continue to multiply on top of other transformations, you'll essentially multiply more and more errors, and it will really show.

For starting out, stick to the predefined workflow and modules and work away. There's your active modules and then you can add more modules to your active ones. There is a basic workflow when you load every image that gives you a good-looking result, but thanks to everything being exposed to you, the user, you have full control of all of it. Each module completes processing and hands off the result to the next module from bottom to top. So you always know what is going on in your raw workflow and in what order, which is very important. Funnily enough, other raw editors mostly don't tell you what's happening in what order, so you kind of have to make a guess, and just try and see what you get. It doesn't have to be this way, it can be better. If you want to go really deeply into raw editing, read the excellent manual. But if you just want to keep it surface level, that's alright as well. Just stick to the predefined modules and their order and you'll be golden.

TLDR: Darktable good.

Edit: Fixed typo.

[–] [email protected] 11 points 1 week ago* (last edited 1 week ago)

"What a great day of 1841 in Ireland."

Phytophthora infestans:

[–] [email protected] 4 points 1 week ago (1 children)

Buttery smooth. I reckon yours is the 1000/11?

[–] [email protected] 11 points 1 week ago* (last edited 1 week ago) (3 children)

That's not a deliberate effect. This is just how the Reflex Nikkor 500/8 renders bokeh. The mirror inside the lens is essentially doughnut shaped and reflects the image back into itself. So technically speaking, there is a massive gaping hole in the middle of the lens. This is why you see the ring effect in the out-of-focus blur.

Edit: Corrected a Typo.

 

Developed using Darktable.

[–] [email protected] 2 points 1 week ago (1 children)

Try Gregory Crewdson. I'm unsure about the genre though.

 

Yes, it kind of is hypocritical to ask this on a social media platform, but what do you guys get out of it?

view more: next ›