this post was submitted on 30 Jul 2024
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Traditional Art

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From dabblers to masters, obscure to popular and ancient to futuristic, this is an inclusive community dedicated to showcasing all types of art by all kinds of artists, as long as they're made in a traditional medium

'Traditional' here means 'Physical', as in artworks which are NON-DIGITAL in nature.

What's allowed: Acrylic, Pastel, Encaustic, Gouache, Oil and Watercolor Paintings; Ink Illustrations; Manga Panels; Pencil and Charcoal sketches; Collages; Etchings; Lithographs; Wood Prints; Pottery; Ceramics; Metal, Wire and paper sculptures; Tapestry; weaving; Qulting; Wood carvings, Armor Crafting and more.

What's not allowed: Digital art (anything made with Photoshop, Clip Studio Paint, Krita, Blender, GIMP or other art programs) or AI art (anything made with Stable Diffusion, Midjourney or other models)


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submitted 3 months ago* (last edited 3 months ago) by imaqtpie to c/[email protected]
 

Las Meninas (Spanish for 'The Ladies-in-waiting') is a 1656 painting in the Museo del Prado in Madrid, by Diego Velázquez, the leading artist of the Spanish Baroque. It has become one of the most widely analyzed works in Western painting for the way its complex and enigmatic composition raises questions about reality and illusion, and for the uncertain relationship it creates between the viewer and the figures depicted.

The painting is believed by F. J. Sánchez Cantón to depict a room in the Royal Alcazar of Madrid during the reign of King Philip IV of Spain, and presents several figures, most identifiable from the Spanish court, captured in a particular moment as if in a snapshot. Some of the figures look out of the canvas towards the viewer, while others interact among themselves. The five-year-old Infanta Margaret Theresa is surrounded by her entourage of maids of honour, chaperone, bodyguard, two dwarfs and a dog. Just behind them, Velázquez portrays himself working at a large canvas. Velázquez looks outwards beyond the pictorial space to where a viewer of the painting would stand. In the background there is a mirror that reflects the upper bodies of the king and queen. They appear to be placed outside the picture space in a position similar to that of the viewer, although some scholars have speculated that their image is a reflection from the painting Velázquez is shown working on.

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[–] [email protected] 4 points 3 months ago

I'm also a fan of Joel-Peter Witkin's version (NSFW for nudity and possible gore [don't know if the dog is alive or not]).