Not sure how many knew about "Compact Mode", but when that quit so did I. Was once as simple as appending ".compact" to the end of a Reddit URL to switch to a nice, simplified interface without ads.

That one gets me too :) If I'm on foot I often consider just hopping up and walking across the hood.

edit: Actually there is one circumstance in which I will drive past the crosswalk and stop: green-signaled left turn where oncoming traffic has right of way. Stop past the crosswalk, complete the turn when the way is clear. It's legal where I live, at any rate.

This one baffles me: leaving a huge gap when stopping a vehicle at a traffic signal. Ordinary intersection in flat terrain, I'll pull right up to the marker/crosswalk/vehicle ahead:

|=|[::]

Sometimes see other drivers a bit back. OK fine, maybe it's alright. Suppose it's good in the event of a stopped rear-end collision, to protect pedestrians/vehicles in front:

|=| [::]

But what's with this nonsense? Is it just me? I don't remember seeing this earlier than the last ten years or so. Not a sensible safety gap, no. I'm talking two, three or more car lengths of space! Nowhere near the inductive loop sensor:

|=|<---------->[::]

This is without any property entrances on either side, mind you. That I could understand since it leaves a space for traffic to pull out, or in from the oncoming lane. This just seems to occupy space for no purpose other than to reduce traffic density on one block and increase it in the trailing block (?).

Completely baffled; what am I missing? Where did this come from? Is it just me? Even worse is when I stop my vehicle behind theirs and then they creep forward a car length or two, making me look like a dummy.

Will probably check it out as I count myself among the Black Isle/Obsidian aficionados. Didn't see a link to the mod in the article. Bit of a let-down that Yesterday does not seem to implement the 3D Jefferson Engine as was seen in the Van Buren tech demo, but props to these modders all the same!

Macross often draws me back even if for nothing other than the outstanding music.

In my opinion Days of Future Passed ranks right up there with Sgt Pepper's Lonely Hearts Club Band and Pet Sounds in terms of innovative use of multitrack studio recording.

The Moodies' next album In Search of the Lost Chord has been living rent-free in my head since about age five when I started spending much of my time wearing my dad's headphones and going through his album collection.

Sure do! This one is tricky to get running smoothly in a real DOS environment; I think of it as a kind of meta-mimetic fallacy vis-a-vis the Rube Goldberg-esque gameplay. VIA Ezra-T CPU with variable bus clock multiplier for the win!

Said what I came to say better than I probably could have. Loved anime in the '80s-'90s before I knew what it was called. Found the visual styles to be quite striking and the cel animation special effects like backlighting very appealing. As a pre-teen/teen it was novel to see animated features dealing with darker subject matter.

Very little interest nowadays apart from visiting traditionally animated features I missed back then. Don't find digital animation appealing in general. Plus my tastes in stories and dramatic elements have shifted quite a bit from back then, and to me anime represents something very specifically Japanese the nuances of which seem to be lost on me.

Another facet: couldn't tell you how many Lemmy communities I've blocked because they almost exclusively feature posts of images of stereotypically over-sexualized anime girls/women(/cyborgs/demons/etc).

Ooh, I see there was a series DVD release of Mighty Orbots (1984). I have to rate that show as some kind of peak anime, being a lovely collaboration between Japanese and American studios.

And as they do it they say,

'swarm

The article's a good read. It's not about the first game from 1987.

Working as a Field Service Technician can sometimes mean being alone for hours on the road in between bouts of installation/service/training/etc.

$ echo "$((2#01010010)) $((2#01100101)) $((2#01100100)) $((2#01110010)) $((2#01110101)) $((2#01101101))"

82 101 100 114 117 109

Reads 'Redrum' in ASCII. A reference to The Shining, I suppose. If there's a joke it's lost on me, sorry. Was kinda fun spending 10min decoding that, though :)