Sunforged

joined 2 years ago
[–] [email protected] 1 points 2 years ago* (last edited 2 years ago)

Vulfpeck is so talented, but everything seems, idk too tight, too clean, too by the numbers? I say this as a white man but it really feels like white funk in the worst ways.

[–] [email protected] 7 points 2 years ago

That tag line is worse that his face.

[–] [email protected] 13 points 2 years ago* (last edited 2 years ago) (2 children)

Examples of tankie tendencies of the DSA amd so forth? Lol this is hilarious because all the DSA does is tail democrats and cover for them.

[–] [email protected] 3 points 2 years ago

If you want some reporting on the labor movement that isn't anti-labor check out On Strike!, they have new episodes every Thursday.

[–] [email protected] 0 points 2 years ago (1 children)

I've e explained the problems ad nauseum in this thread.

  • Layoffs happening during this partial strike.
  • Demoralization of members due to confusion and a broken front.
  • Public concerns over stretching out the strike fund when in truth it's the strongest in the nation. Which leads many uniformed in the labor movement to question the power of a strike.
[–] [email protected] 1 points 2 years ago* (last edited 2 years ago) (1 children)

You asked for the math. I provided you the numbers, if you don't trust me go check. It's frustrating that I put time into looking up my response only to be met by skepticism.

[–] [email protected] -1 points 2 years ago (3 children)

The difference is that Hollywood was actually at a much weaker position for a number of reasons. The first is that the nature of the business means the production house had many projects in the can, waiting to release. This meant the impact of the strike could be rode out for longer before releases began being impacted by the strike. In comparison as soon as UAW closes down a shop the big 3 start losing money.

The second is Hollywood was up against wall street, there was a strong interest by investors to break up the strike, not just in Hollywood but in all industries. The reasoning is that labor wins translate to more labor fights, they want to demoralize any attempt to get a fair share and reduce profits. UAW is in a stronger position today than the writers and actors were when they started, so why is Fain pumping the breaks when he could be building more momentum (for both his members and the labor movement at large) with a full strike?

You might disagree but my criticism is a valid one, moral within the union isn't great and it would be easy to fix by fighting together.

[–] [email protected] 0 points 2 years ago* (last edited 2 years ago) (3 children)

$825,000,000 in the current strike fund. 400,000 current active members. I'm not sure what the contract length is so let's say 4 years, that's a minimun.

$825,000,000 ÷ 4 years ÷ 12 months ÷ 400,000 members = 42.96 per month per member to rebuild the fund for the next contract.

That is not to mention the current fight is an existential one for the union. As EV funding coming from the state has all gone to none union shops, it has hurt the unions strength. Part of this current fight is to demand expansion of the union to EV shops, growing that member number and preventing the union from becoming irrelevant.

[–] [email protected] 0 points 2 years ago (5 children)

I am so confused by this comment. Your talking like we have nothing in history to compare this to when the writers strike won after a 3 month strike just last week.

[–] [email protected] -1 points 2 years ago

Union members are being laid off, leading to confusion and hurting moral. The war of attrition is more than just the strike fund, and it is sad one of the largest and well funded unions is making a show of worrying over their coffers when they have more than enough to win three contract fights.

[–] [email protected] -1 points 2 years ago (1 children)

My opinion are based on what works for labor rights. A pragmatic "lets not hurt the business" approach hasn't worked for the past 4 decades.

Having union members continue to work during this partial strike is only giving the big 3 more time to lay off workers. Fain has sold this as a positive, saying those laid off can claim unemployment instead of pulling from the strike fund. There are alot of problems with this, there is little support for laid of members to navigate claiming unemployment, with every state having different requirements it's left many confused on where they stand with the strike and union. Also UAW has one of the biggest strike coffers in the country, at this time of unprecedented labor support they need to use that and go all out. That's how the writers guild just got their unprecedented win last week, and most of those writers are still out on the picket lines in solidarity with the SAG, as a united front.

I've been hopeful of Fain's approach but it's doing more harm than good within the union, when members were ready to stand together they were instead left as confused as the big 3 were, which if you're just looking at dollars in the bank was a win I guess, but moral is more important. Again they are not hurting in their strike fund, this is not a newly formed union it's one of the oldest.

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submitted 2 years ago* (last edited 2 years ago) by [email protected] to c/[email protected]
 

Preview of Kshama Sawant's new show.

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Samurai Cop (1991) (m.media-amazon.com)
 

Just found this community so I had to post one of the best worst movies out there.

 
 
 
 

I can do this all day.

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Sip (lemmy.world)
 
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