FriendOfDeSoto

joined 2 years ago
[–] [email protected] 3 points 3 weeks ago

I question your sense of smell.

[–] [email protected] 4 points 3 weeks ago

I don't think there is any example of an autocracy in the last 125 years where the media completely resisted the establishment of the regime. The reasons there can be twofold. Media needs to make money. Not aligning your business with the strongman (or woman) spells out economic decline so blind eyes are turned until blind eyes prevail. The other reason is that most autocratic regimes don't come fully formed on the day of the coup etc. There is a period of incremental changes that can silence critics or get them to censor themselves while gaining support with the less critical part of the media (and alternatively jailing people who say something bad). Like the frog in the pot the media is stuck in the hot water. Or it jumps out into a show trial or other instrument of repression.

I would say in the days before newspapers, a power base had to be established to take over from a royal. Those were the people with power, the aristocracy. You didn't need all of them but a substantial portion. It's only since we've pulled the silver spoons out of dukes and barons, the power base has shifted to include people who didn't just inherit a title and most of the shire. That, I would say naturally, includes selfmade industrialists as well as selfmade media moguls. They have become a necessity today when it was much less important before (or much easier to control the narrative with fewer resources). Additionally, as any revolutionary will tell you these days, you have to of course capture the broadcasters with military might if you can. But even that will seem quaint soon when all you'll need is an online media presence that you can control 100%. Trump shows us that way.

Tl;DR? It used to be possible. But we are in a transition period from a time when having the media on your side was a necessity to where you can easily create your own media to drown out the establishment voices and that might do the trick.

[–] [email protected] 2 points 3 weeks ago (1 children)
[–] [email protected] 4 points 3 weeks ago (1 children)

The Cory Doctorow cycle of enshitification starts with a focus on users, giving them exactly what they want. With a strong user base behind them they then pivot to business customers, advertisers, and the like. And then they turn in on themselves, only looking for shareholder value, and leave the tied up users and the B2B side in the lurch. It's a business process, during which a social media site's offerings would decrease in quality. But not every drop in quality is enshitification. A sudden burst of new users, an unforeseen bug in the software, a terrible event in the real world, a scandal behind the scenes can all affect the public's opinion negatively.

I don't think every social media platform is doomed to play through the e-cycle. The moment you remove the need for or drastically limit the patronage of B2B customers in the organization, you remove one crucial element from the equation. The same happens if you remove the need to create earnings growth, i.e. not become a corporation with a fiduciary responsibility to maximize profits. That's why federated social media can probably only turn to shit because of the people who use it and not because a boardroom somewhere decided to squeeze the last bit of juice out of that lemon. That's just life then but not per se enshitification.

So I think Facebook and Insta are good examples of enshitification. Reddit to an extent also. Twitter I think was a different story. It never got beyond a point where it was just great for the users. They didn't make enough money from advertisers. They didn't then turn their attention solely to their share prices with any success. They saw a sucker who was gonna pay billions for it and parachuted out. Twitter then became shit but because of its new owner, not because of this business cycle.

We tend to look at everything with nostalgia. Was the past not more fun? We cannot be trusted to judge this dispassionately.

[–] [email protected] 3 points 3 weeks ago

Tragisch ist bis heute, dass der Bindestrich es noch nicht über den Atlantik geschafft hat.

[–] [email protected] 10 points 4 weeks ago (2 children)

You probably don't. Those tummy acids are strong. I would wipe the surface with soap. Maybe submerge them in water if you can immediately place them in direct sunlight afterwards to dry them out again. Wipe surface again and hope for the best. I would water an un-vomited-upon Birk along with the offender, maybe not in the same sink water, to wear them out equally.

[–] [email protected] 16 points 4 weeks ago

You're trying to apply conventional logic to the orange one. That doesn't work. Stop doing that. It's all about his frail ego, flooding the zone with bs, denying everything and never giving in, and blaming everybody else for stuff he's done.

And just to give the poor, battered, beleaguered, ever-so-stable leader a break, there are sea lanes and flight routes available to the cartels as well. They didn't have to go through the US (but probably did).

[–] [email protected] 6 points 4 weeks ago

Yes. Europeans have been enjoying a bed that was made for them in this area as part of a security package that came into existence after WW2. They didn't have to invest in intelligence as much because they had it delivered to their doors. If that delivery system stops, they will have to replace it. They can do that.

I wouldn't be surprised if at EU level (+UK) we will see a lot of unified defense initiatives that mention in a subordinated clause that intelligence coordinating and sharing will be part of that as well.

[–] [email protected] 20 points 4 weeks ago

The most famous fountain for coin tossing/wish making is Trevi in Rome (and I wouldn't be surprised if the whole concept came from there). You are legally forbidden from taking money back out of it there. The moment the coin sinks into the water, it belongs to the municipality, so taking it back out constitutes theft. The municipality is allowed (and indeed forced) to clear the coins from the fountain (otherwise there would be no water left after a while) and AFAIK they donate the cash for a good cause.

[–] [email protected] 4 points 1 month ago

Was it all building to this?

[–] [email protected] 22 points 1 month ago (1 children)

Just for some German context: the Nazi salute is not covered by any freedom of expression or opinion in a political context. What Elon did on stage would have landed him in a German court. Similar restrictions apply to displaying certain symbols, e.g. the swastika. German cops are legally required to intervene when they see them in public.

I don't know the video in question, I don't know if the cops overreacted - a reaction was required though.

[–] [email protected] 2 points 1 month ago

I don't think you can codify it more than "they do it by gut." I think it's pretty rare that a song goes unaltered from the spark in somebody's head to mastered recording without many changes. It's a collaborative effort that involves the producers and friends as well.

I think the more somebody is knowledgeable in musical theory, can read and write notes, and maybe even has perfect pitch, the more fully formed an idea will be when it gets to the early stages of recording. But musicians are not all Mozarts.

I dabbled in making electronic music for a while as a hobby. There was only me, I don't remember anything from musical theory class in school, can barely read notation - in short: I'm not even mediocre. But even I felt occasionally that I needed to speed a track up or down. It's a gut feeling.

I know from a drummer friend of mine that performing live is hard. You're either very good at keeping time, like, you have an unshakable metronome in your head, or the tempo naturally speeds up. That's why during production a lot of musicians get the metronome via a click track in their ears to make sure they don't deviate too far from what BPM they wanted to hit. During live concerts I think a lot of drummers, as the metronomes of the band, get a click track in their ears as well. And there may be concerts where a song is sped up compared to the recording on purpose, but is still played with a click track because it sounds better live when it's faster, maybe because it's missing a lot of stuff from the production that filled gaps at the lower speed. So you can say everything has a tendency to speed up live but sometimes tracks that are performed faster are an artistic choice.

view more: ‹ prev next ›