Asklemmy

43376 readers

1439 users here now

A loosely moderated place to ask open-ended questions

Search asklemmy 🔍

If your post meets the following criteria, it's welcome here!

Open-ended question
Not offensive: at this point, we do not have the bandwidth to moderate overtly political discussions. Assume best intent and be excellent to each other.
Not regarding using or support for Lemmy: context, see the list of support communities and tools for finding communities below
Not ad nauseam inducing: please make sure it is a question that would be new to most members
An actual topic of discussion

Looking for support?

Looking for a community?

Lemmyverse: community search
sub.rehab: maps old subreddits to fediverse options, marks official as such
[email protected]: a community for finding communities

~Icon~ ~by~ ~@Double_[email protected]~

founded 5 years ago

MODERATORS

[email protected]

What duration of time do you connect to intellectual property? (lemmy.ml)

submitted 2 weeks ago by [email protected] to c/[email protected]

41 comments fedilink hide all child comments

It's one thing that copyright/IP is such a matter of debate in the creative world, but a whole new layer is added onto that when people say that it only matters for a certain amount of time. You may have read all those articles a few months ago, the same ones telling us about how Mickey Mouse (technically Steamboat Willy) is now up for grabs 95 years after his creation.

There are those who say "as long as it's popular it shouldn't be pirated", those who say "as long as the creator is around", those who don't apply a set frame, etc. I've even seen people say they wouldn't dare redistribute paleolithic paintings because it was their spark on the world. What philosophy of statutes of limitation make the most sense to you when it comes to creative work?

you are viewing a single comment's thread
view the rest of the comments

[–] [email protected] 2 points 2 weeks ago

Yeah, “generating your own Marvel movie” was considered high art for most human cultures before copyright: from traditional epics to Greek dramas and even Shakespeare’s “serious” plays, audiences were already familiar with the characters and stories and valued the art of the re-telling. Novels (so-called because the characters and stories were “new”) were considered low-brow trash for people unfamiliar with the myths and stories that “real” literature was based on.

Now, that primal human urge to build on and re-tell familiar stories is relegated to unlicensed fan-fiction and to franchises like Marvel who only permit certain sanctioned creators to build on their “property”.