this post was submitted on 14 Aug 2024
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The two “cannot run a livestream in the year 2024,” the Harris campaign snarked on X.

Kamala Harris’s presidential campaign has already proven itself adept at baiting Donald Trump and his supporters using the playground-tested technique of calling Republicans “weird.” The campaign, which has proven itself to be Extremely Online through TikToks evoking Trump's lack of “aura” and hearty embrace of the “brat” label, is now provoking its opponent by pointing out how not online Trump is.

Trump is so out of touch, he can’t work the internet, the Harris campaign posits, pointing to Monday evening’s livestreamed interview between Trump and Elon Musk, which was delayed by some 45 minutes due to technical issues.

Trump’s entire campaign is in service of people like Elon Musk and himself—self-obsessed rich guys who will sell out the middle class and who cannot run a livestream in the year 2024,” the Harris campaign shared on X (formerly Twitter) after the lengthy conversation between the two. The campaign’s rapid response team addressed the statement to “those unlucky enough to listen in tonight during whatever that was on X.com.”

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[–] [email protected] 3 points 3 months ago (1 children)

Sure

The biggest thing to me is don't share the Internet connection. Get a separate line turned up to handle the session, with a dedicated firewall (commercial grade, doesn't need to be a palo alto or anything, but a mikrotik, Cisco fp, etc is fine), connected to a switch for just the zoom machines. No meeting connector or any of those shenanigans - the throughput is dedicated to the session. If it's the kind of place that can't do that, get share the pathway as little as possible, and provide that client endpoint with the highest priority. This is, to me, the most important part.

Production Studio will get used, but it's not really doing any of the lift - it's a full production studio before it hits that machine (which has a matching spec machine right next to it in case of failure, turned on and ready to go as a co-host machine). All it's doing is allowing for some border content, some backgrounds for content, session wallpaper, etc. Glorified OBS at that point.

Feeding it is usually a Ross Carbonite or a Grass Valley, but I've also done it with a black magic atem, Roland, etc. At this point, all the production is outside of Zoom, so any lower thirds, virtual studio backgrounds, etc. are all handled there. This way, if there is any issue with the main Zoom Prod Studio machine, there's a second video feed to the backup (co-host) PC. That's the only advantage/reason why I even bother with Prod Studio over just tossing a zoom room on a PC and walking away.

All production hardware is on a segregated network, no outbound internet or routes, especially if using Dante/aes67, NDI, qlan, whatever. Stacked switches if more than one is needed, no simple uplinks (ie: bottlenecks).

At that point not much else matters, grab your shure lavs (if there is density, axient) and a few wires mic backups, cameras at your preference (honestly a lot of BM Ursa/Studio with good cine lenses, mostly primes), and good to go.

Couldn't tell you about Discord, sorry, don't really use it.

Just to mention, smaller scale production takes the same tactics, just without a GV/Ross/etc, more likely a BM ATEM or something. But I don't deal with that too much these days.

More often than not, I'm designing a studio which can also run webinars. For a presidential candidate, they probably did something similar, maybe making use of a few tools not public yet (though I wouldn't have risked it with an event like this).

Teams can be much more problematic, it's like a firehose of traffic, using whatever you give it. Looks good when you have the bandwidth, making the first statement - not sharing the connection - even more important. Zoom is heavy on the compression, but quite stable as a result.

Recordings should be local, with the session also recorded, so the session can be distributed with the local recording edited in for a better quality result. Remote participants, when I have to deal with that, get a full kit including a local recording system (aja mostly), so the drive can be shipped back with the kit for the finals edits.