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Tabletop Rpg posts, content, and recruitment posts.

Recruitment posts should contain what system is being played, CW for any adult/serious themes players need to be aware of and whether a game is beginner friendly.

An obvious reminder of no racism, sexism, ableism, homophobia and transphobia.

Emphasis on small independent rpgs like the ones in the TTRPGs for Trans Rights in Texas but not against dnd stuff.

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I invite You to read and discuss. And if You have Your own "twisted gods", please share them.

In RPG and fantasy, we are often faced with a situation where the existence of gods is an empirically confirmed fact, rather than a matter of belief. Two extremes can be distinguished in the representation of these entities (note – I do not claim that all creation adopts one of these two extreme points of view). On the one hand – the trend adapted by e.g. most of the settings for D&D – gods are personification of certain values professed by people, not infrequently they are even „born” from the faith of mortals or at least derive power from it/are shaped by it – gods described as „good” are simply good in the conventional sense of the word, they sincerely care about their followers and you know what to expect from them. On the other side, we have motifs that can be considered taken from Lovecraft’s Cthulhu mythology – the gods are incomprehensible, distant beings, completely unconcerned with human worldviews and so-called „good and evil”, mostly indifferent to humanity (and if by chance their paths intersect with humanit’s ones, humanity is screwed) – at the same time, it is not uncommon for most mortals to be unaware of their existence, instead worshipping imaginary, more anthropomorphic deities tailored to their emotional needs.

In this article, I wanted to present deities standing somewhere in the middle – entities whose goals, yes, are not fully understood by mortals, but nevertheless close enough to human morality that worshippers can find some commonality (real or imaginary) with their patrons. These gods are usually directly interested in some way in the lives of their worshipers – although not necessarily in the way those worshipers would like. At the same time, I wanted each description to contain a hook, an important point where the devotees’ understanding of the deity diverges from its real nature – and whose discovery could be a significant twist.

  1. Mother of Peace

The Religion of the Mother of Peace, or the Cult of Harmony, is a strictly pacifist religion. Strictly and absolutely. No violence is allowed, ever, anywhere, in any situation. If you see a psychopath murdering children with an axe, you have no right to use force to prevent him from doing so. You cannot stun him, disarm him, knock him over, or even grab his arm. At most, you can ask him to stop, try to distract him, or stand up to the blow to give the children a chance to escape. Why do people follow such religion? First, the philosophy appeals to some – in the real world, Gandhi said something like „applying the eye-for-an-eye principle will make everyone blind.” – Followers of Harmony believe that violence begets violence, while peace begets peace. If they consistently turn the other cheek and don’t resist evil, they will stop winding up the spiral of violence and constant revenge and eventually evil will disappear naturally. Second – following the path of Harmony brings concrete benefits. Holy priests, who have long been non-violent, receive healing powers from the Mother of Peace – but they only work on other followers, so the policy of „I do violence, and the pacifist priest of Harmony heals me” is impossible. To use healing, you need to sincerely renounce violence – which, on the one hand, reduces your chances of survival in an encounter with hostile beings, on the other – if you come out of it alive, all your wounds will be healed, plus you gain protection from natural diseases and other threats. Third – the priests of Harmony preach that those who live and die, observing the principle of non-violence, will be taken into the bosom of the Mother of Peace after death, who will give them happiness incomparable to earthly suffering – so it is „profitable” to trade your life in exchange for heavenly pleasures.

The religion of the Mother of Peace may be perceived differently in society. It is possible that the authorities are avtively against it – it makes the subjects unwilling to fight, which reflects on the combat power of the state. Or perhaps they support it, seeing it as a tool to pacify potential rebels? Ordinary people may regard the Children of Peace as annoying lunatics – or treat them with deep respect. Even if healing powers may not work on „infidels,” after all, the Children may be able to help them in other ways – such as using conventional medicine (while remarking „Join us and you’ll see real miracles!”).

Well, what is the catch? Yes, the Mother of Peace actually exists. But her goal is by no means to create a utopia where people can live in happiness and peace. Her goal is to weaken the population of a given world/planet/country. When a sufficient portion of the population is transformed into followers of Harmony, for whom the use of violence – even for defense – is unthinkable, and even if it were thinkable, they would became too weak to use it, the time for reaping comes. The True Children of the Mother, hordes of bloodthirsty, voracious creatures, come out to prey and consume the pacified people. The devoured people continue to make prayers to the Mother, who continues to appear from time to time, assuring her followers that this is the final test and whoever perseveres without putting up a fight against the monstrous invaders will be saved.

During the course of the game, players may encounter followers of Harmony. It would be good for the GM to present them as something more than detached hippies, to make the players start to wonder if they are right. Maybe they’ll come across a reformed bad guy – e.g., a psychopathic follower of the god of murder who massacred a village of Harmonious heretics, but their indomitable will and serenity in the face of death made him convert and join them? Or more life-like – a husband who stopped beating his wife and children and is now an exemplary head of the family? Players can act as defenders of persecuted Harmonists (although this will involve some ambiguity – „Harmonists are decent people, but without people like us, who are not afraid to get their hands dirty, thay would survive”). They can have discussions with the priests about the legitimacy of pacifism. Maybe one of the player characters will start thinking about becoming a Harmonist after his career as an adventurer ends? The more sympathetic players become to the cult of Harmony, the more shocked they will be to discover indications that the Mother of Peace may be a much darker entity than it appears. At first, they may trivialize rumors like „Harmonists are actually a fifth column preparing the world for an invasion by dark forces!” as typical denigration of the new religion by the old clerical establishment. But as time goes by, the evidence will become stronger and stronger… Until finally there will be an invasion of the True Children that the players will have to face. Or maybe they will have the chance to prevent it, and will face the dilemma „Whether to believe the critics of the Harmonists and obstruct the great ritual, which, according to the Harmonists, is supposed to help bring universal happiness, but in fact open the gates of the dark dimensions…. Given that in order to do so, we will have to massacre a crowd of unarmed civilians, including women and children?”

The Mother of Peace is portrayed by her followers as a goddess with, one can easily guess, maternal qualities. Perhaps even as a pregnant woman? This is a play on the ambiguous nature of this entity – the presumed spiritual mother-protector of the followers of Harmony, and the actual fecundator of the swarm that will consume them. Players may come across disturbing references to „the coming of the True Mother’s Children” in sermons and hymns – priests may (sincerely or not) explain that it’s such a metaphor, that it’s about the era when people truly dedicated to peace will come.

  1. Enemy of Superstition, Destroyer of Magic, Defender of Normalcy

There are many arguments that are made against magic. It is source of obscurantism, superstition and charlatanism, a way to fool people. It violates the natural order of things. It is the work of demons, leading to possession or by destroying the veil of the worlds to demonic invasion. It is the theft of the power due to the gods, a manifestation of human pride. It distracts people from giving honor due to these gods. It brings madness, sucks the life out of the environment, causes the risk of explosions or other side effects. Leads to inequality, as mages can exalt themselves over ordinary people. Or something.

Depending on the setting, each of these accusations may or may not be true. But that doesn’t stop the Defender cult from preaching them. Inquisitors and witch hunters roam the world, collecting magical artifacts, books and even arresting anyone who manifests magical talents. No, they don’t burn them at the stake. All items and people associated with magic go to the Bottomless Wells located in temples – supposedly the only way to effectively annihilate them. Importantly, the hunters are ordered to take mages alive if possible and throw them into the wells – supposedly a mage eliminated in the wrong way turns into a wraith, or something like that. Inquisitors are aided in this work by the magic-blocking powers provided by the Defender.

Witch hunters can be treated by the people as terrifying villains – or as heroes. The reason for the latter attitude is not necessarily solely propaganda and „fear of otherness.” It is possible that the land has actually suffered a lot at the hands of mages – perhaps it has just liberated itself from the rule of an evil sorcerer and his disciples, or it is fighting a fierce battle against a nation that uses magic in a fierce way. It would be worthwhile for players to see some of the negative effects of magic use with their own eyes, so that at the very least they would develop doubts about whether the Defender’s followers are wrong.

What is the truth? It’s easy to guess that the Defender is not concerned with defending the innocent from witchcraft. But neither is he driven by any other selfish yet high-minded motivations along the lines of „magic takes the glory away from the gods.” The truth is that for the „Defender,” magic is just darn tasty. Bottomless Wells are portals leading directly to his insatiable maw. It’s possible that the founder of the Inquisition managed by some miracle to communicate with this entity and make a pact „I will provide you with food, you will lend me and my disciples your anti-magic powers, which you use to safely digest objects radiating magic – and we will use them to incapacitate mages.”

What will happen when the players reveal the truth about the Defender? Maybe the inquisitors will be furious that their holy crusade turned out to be nothing more than feeding an inter-dimensional monster, they will turn their backs on their god, to which he will react with rage (not because of his violated dignity or some other irrelevant value, but because of the vision of being cut off from a steady supply of grub), through one of the wells he will enter the world and the players, along with the inquisitors, will have to face him? Or maybe the inquisitors will react with a shrug of the shoulders and the statement „So what if the Defender is not a noble god, but a voracious monster. Magic is still a threat, and he is the best means to eliminate it.” Perhaps, using the method of the cobbler Skuba (Polish legend), players will toss a special object emanating „toxic”‚ magic into one of the Wells, which will poison the Defender?

  1. Truthsayer

God of the truth, the whole truth and nothing but the truth. People swear by his name. He is also worshipped as the god of justice and knowledge, so judges and scholars worship him. Lying brings his curse.

The Truthsayer doesn’t lie about himself – in fact, he wouldn’t be able to even if he wanted to (and he definitely doesn’t want to). The problem is that the people themselves have sung too much about him. As I pointed out above – he is the god of truth and ONLY truth. Justice does not matter to him, it is a totally foreign concept to him…. If he helps the investigators uncover the machinations of the villains, it is only so that the truth will come out, but he does not care whether the result will be the administration of justice. He might as well help the villains discover the heroes’ forays and subterfuges. As for acquiring knowledge – yes, he assists scholars in their research, in order to reveal the truth. However, if a scholar spins unsubstantiated speculations and hypotheses (which happen to be contrary to the truth), even in good faith – he draws the wrath of the Truthsayer. Simply put, untruths make the Truthsayer suffer. This applies to any untruth. Also fantasy. If the Truthsayer’s followers perform a ritual to increase his presence in the material world, they will bring a terrible calamity. From now on, the curse will fall on actors and poets, on anyone who utters a harmless lie like „You don’t look fat in that clothes,” „I’m not mad at you,” or „I’m on my way out,” as well as anyone who uses deception (no, the Truthsayer doesn’t care about the nobility of the cause – if you put on camouflage to sneak under the headquarters of the bad guys and rescue their innocent hostages, you are a hideous LIAR and deserve to be punished). Bah, people in ordinary conversations must be careful not to use metaphors and phraseological compounds. A Truthsayer may even go so far as to seek to eliminate words like „nice,” „tasty” or „good” – after all, they are subjective, and what is not objective truth, is a LIE.

Good player characters can help prepare a ritual to summon the avatar of the Truthsayer – after all, „God of Truth” sounds like a decidedly good dude, right? At some stage, they may realize that the world of absolute truth will be something terrible (maybe some conversation with a philosopher?) and try to torpedo the ritual. Maybe they will be able to accomplish this in advance… Or maybe the avatar will already begin to pass into our world? Then they will succeed in playing him off by pointing out the paradox – people summoned him because they believed he was the avatar of goodness, justice and knowledge – if he exploits this ignorance of theirs, he will benefit from lying, and this would be unacceptable. Or a character with an exceptionally high bluffing skill or the like might try to spew a tale so full of lies and absurdities that the avatar of Truth will go berserk just from listening – but a half-hearted success will only enrage him!

For the Truthsayer, as an antithesis, I would see a god of lies and fantasy – not the typical sinister „Prince of Lies” in the style of the Christian Satan, or some malicious trickster, but a deity whose motto is „Such is the world! A wicked world! Why is there no other world?” (B. Lesmian) or „Be guided in life by such foma (harmless lying) as will give you courage, goodness, health and happiness” (K. Vonnegut), who lies not for some selfish purposes, but because he firmly believes that lying IS GOOD. The real world is cruel and unfair, lying helps to endure it and achieve at least a little happiness – through escapist fantasies, small daily lies „From tomorrow I will take charge of myself and achieve something!” „You look nice”, „Don’t worry, you’re not a failure at all” through big lies like „Good is always rewarded and evil is punished”. In this arrangement, both the god of lies and the god of truth would be morally neutral in practice (both can assist followers in certain situations, but at the same time pose a danger – the god of truth mercilessly punishes anything that is not the absolute truth, the god of lies can entangle you in a web of delusion) – but in theory, it is the liar who is driven by more altruistic motivations and loves mortals.

  1. Prince of Blades, Lord of Sharp Angles and Edges

Centuries ago, the Prince of Blades was worshipped as a deity of war, or even slaughter. Legends say that he made the claws of his worshippers – and even their teeth and nails – exceptionally sharp and dangerous to enemies. And the legend is true – albeit the Prince was never a god of war. He is the personification – or perhaps the source? – of all sharpness. He doesn’t care about crippling anyone, although that’s mostly a side effect, he just wants things to be sharp. Or rather – in passing, by his very existence, he makes them so?

Let’s say there is a place where strange phenomena occur. Babies are born with long and exceptionally sharp claws and fangs. Swords and axes made by local blacksmiths are famous for their exceptional sharpness (maybe the player characters just came here to get their hands on them?). Why go. There is a temple of the Prince underground, and its influence radiates to the surface. Cultists come to the town to unearth it – they believe in the Prince in his aspect of the god of war and believe that this will help them triumph over their enemies. When they realize their goal, they are met with a surprise. The cultists are transformed into living avatars of sharpness. Invisible blades cut them so as to eliminate all contortions (a head clipped to a cube is not a pleasant sight), their hands turn into scythes, and in their brains all thought of their own is replaced by a single imperative – cut! What’s more, the Prince’s influence is more and more visible in the neighborhood – everything becomes sharper. The most visible effect from a mechanical point of view is that all weapons (edged weapons to a slightly lesser extent, but also) deal more damage. But as the influence increases, even rubbing clothes against skin starts to be painful, then every touch hurts, until finally the very movements of air cut the skin. If players don’t close the temple, the effects can be really nasty. It is possible that earlier players encountered a strange artifact – a sponge ball. If they didn’t get rid of it, it will turn out to be a „statue” of Our Soft and Oblique Lady, the opposite of the Prince, which what him will mitigate the effects of opening the temple. The battle will take place not between good and evil, order and chaos, or other abstract constructs, but between Sharpness and Softness.

  1. Mistress of Natural Instinct

A goddess of wildlife, her followers preach the need to return to a life in harmony with nature and reject the defiling influence of civilization. Oh, it would seem – another „mother Gaia” with a pseudo-ecological cult. The thing is, the Lady is not at all measured by the fact that people are poisoning rivers and cutting down forests, as her followers believe. What she doesn’t like is that they are rational. Reason, consciousness, morality, are evolutionary dead ends. They only multiply pain and suffering. Do animals – much less plants – waste time and resources on some foolishness like art? Do they risk their lives and the lives of others for abstracts like honor? Do they suffer from offended dignity, boredom or lack of meaning in life? People simply combine too much to be happy. The return to nature is not primarily about rejecting technology (although that will probably be a side effect of it), but liberating people from the unnecessary baggage of excess thoughts. Let them become like animals – free, innocent and amoral. This is the purpose of the Lady, which is not grasped (possibly except by the high priests) by her followers. Yes, during ecstatic rituals some of them fall into a trance, during which they walk on all fours, howl and growl. And the priests are able to bring this trance on their enemies… But are the followers ready to accept the truth that, according to the will of their mistress, this is how life should be, forever?

Rest of the books is avalaible for free here: https://adeptus7.itch.io/twisted-gods

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TTRPG history (for over an hour, mind you).

I'd just listen to this while you're doing other things.

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cross-posted from: https://hexbear.net/post/1934302

Video is over 2 hours long and goes over 1970s history of D&D and other tabletop RPGs inspired by D&D during this time.

Here's the description:

Just one year after the publication of Dungeons & Dragons, four other games debuted and helped define the new genre that would come to be called "Role-Playing Games." Learn about Boot Hill, Tunnels & Trolls, En Garde!, and Empire of the Petal Throne in this video: who created them and why, the game mechanics they used, and their legacy in shaping the future of roleplaying games for decades into the future.


Enjoy, y'all.

Listen to it while you're doing other things, ig

I highly recommend subscribing to this channel, even if you're not going to watch or listen to the video, as he does other more shorter videos, and it's always nice listening to the history of D&D and tabletop RPG games from someone that worked on them during his prime.

Welp, again, enjoy.

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We've had threads on how D&D itself has a colonial mindset, but I think that undersells how fucked up and racist players can be. I want this thread to be about players who go out of their way to make characters that break the fourth wall and ruin friendships outside of the game.

I'll start: I had a player come to me with their character: "Gucci, the rapping goblin bard". The details were what you would expect. Like he literally put a picture of Gucci Mane in the chat. I told him that this was blackface and I wouldn't allow it. He had a tantrum about being called racist, and now we no longer speak (lol).

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I've got competitive tree felling, log flume riding, and caber tossing. There's archery and boxing/wrestling. There's chess, there's a pie eating competition, even an obstacle course.

That gives me all the mechanics I'm interested in settling the players into immediately - ranged and melee attacks, skill checks, saves, skill challenges, and roleplay - but I need more fun side bits to help set the scene. There's food stalls, a bar, a little gambling, and I'm probably going to have a children's storytime place the players can go and make up wild tales, but what other kinds of flavour do you pepper around your festivals for the players to interact with?

The campaign is Abomination Vaults for anyone with setting specific ideas.

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Hey, so I'm hosting a campaign of Comrades and next session I'm thinking of having the party on site when a spontaneous strike starts. For context the setting is homebrew, WWI ish with fantasy elements. Obviously they can participate in organizing the workers and talking with people who attempt to intimidate or buy off the strikers but I'd like to have a few more tricks and nudges on standby to keep things going just in case. Any suggestions? Currently I've got "dealing with potential police actions" and "the company sends Pinkertons/infiltrators" but I'd appreciate your thoughts.

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submitted 6 months ago* (last edited 6 months ago) by [email protected] to c/[email protected]
 
 

Jennell Jaquays is a unsung game developer. She has a really rich history in games and design. Itchio had a game jam in her honor.

Salute to a real one 🏳️‍⚧️

Check out her website. It's old-school and good.

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Hey everyone. What the title says. I've run a few sessions in my setting already, but my group is filled with LIBs so I wanna try this campaign idea with a new group.

moomin

Setting? Political Space Opera. Big inspirations include: Star Wars (OT, The Mandalorian, Andor) , Firefly, Disco Elysium, Metal Gear Solid, Deus Ex.
You can read and look through a visual guide of my setting here:
The Aesthetics of the universe, and a brief guide to some big planets: https://docs.google.com/presentation/d/1yaC3-gXn-mO-4nwrXv3vNTBuspqe7XBO3zxCNpS8NTc
A brief guide to the political structure of the universe, and the megacorporations: https://docs.google.com/presentation/d/1fYSHPLo0NV3nhrM9ayiAkY7TG_KPSCDnyPc1fCYC91c

System? My preferred sci-fi system is Stars Without Number. It's light-weight and easily modifiable, so it can handle adding new content unique to my game and playgroup. Quick to learn, especially for dnd veterans.

When? I'm located in europe, in the CET time zone. I'll be running the game in the evenings, which means if you're an american, you'll be playing right after waking up. Expect the game to start somewhere around 6PM CET, and run for 3 hours weekly. Which day of the week we play can be decided later, but it will likely be a weekday.

How long do I have to commit for? It's hard to sign up for a game and then feel like a weekday is locked in for months for a specific activity. We'll start things with a one-shot adventure, and if that goes well, we can plan out another month of sessions.

I'm interested! Great! Please send me a private message with a little about yourself here on hexbear and include your discord, I'll contact you from there.

kirby-jammin

About me as a DM I have 5 years experience DMing and playing. My style of DMing can be read about here: https://docs.google.com/document/d/1zcJZyZId7biVoC2iFk2DTQjyNkylmjWEKN5FytCT79s/edit

Review from a satisfied player: "I always felt like we as PCs had the opportunity to make our mark on the world. There were clearly things going on, "hooks" one might say, but if we wanted to handle those in a completely different way than what was obvious, Moondog let it play out. One of the most, if not the single most immersive DMs I've played with to this day in that sense. Real sense of verisimilitude in the world. I think a major highlight for me was playing a wizard and using my spells, even illusion ones. Moondog as a GM plays with you, will ask you to explain your intention and then you'll find a way it would work in the world. "

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cross-posted from: https://hexbear.net/post/1672667

Hello and thanks for the interest, I've been running a weekly cyberpunk roleplaying game for hexbear users for over a year now, and I'm looking for new people to join a heist/anti-corporate aktion/criminal syndicate intrigue campaign.

The current system is Shadowrun 5e and I can provide all the information to play the game on Roll20 the web-based tabletop simulator we use to play and utilize discord for voice. We'll build a character together to join the existing group of:

Mafia Orcish Gun-guy Ex-corporate Human Medical Mage Ex-corporate Elven Infiltration Mage Shadowy Human Drone Operator

We are looking for one to two people to join us on Sundays for three hours starting at 8:00PM CET / 2:00PM EST

Please leave a comment or send a DM if interested or have any questions

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I'm not interested in your PCs (or PCs you've heard/seen elsewhere), I want to know what the best PC someone else has played at a table with you is.

One of my friends doesn't have lots of TTRPG time, so generally just joins the odd fantasy game with the same character at different levels: Himbo Clerrick. Himbo lives up to his first name, being utterly gorgeous (think young Fabio on the cover of some sword and sorcery romance novel), incredibly heroic, and incredibly dense and oblivious, but not to his second name, being a Paladin.
Himbo had been a simple monk who had taken a vow of chastity to serve his god, but his incredible looks put the other monks' and nuns' vows in danger, so they gave him some weapons and armour, told him to go fight the forces of evil for his god, and then took a very cold bath. Powered by his devotion to his god and complete asexuality, he now travels the land looking for evils to defeat and goods to do.

Now, I'll admit the player has an impressive CV to begin with (experience in film and TV leading to setting up his own media company, Cambridge Law degree, nationally ranked cross country runner, decent jazz saxophonist, amateur boxer, etc), but Himbo inventively combines and subverts tropes in a way I only otherwise see from very experienced players, and the player has been happy to dive into and engage with the worlds as Himbo from the word go. Makes a great change from the people whose first character is Half-Elf Ranger #3752 and are scared to say or do anything even when directly asked.

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Good video.

I really like Dicebreaker.

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Hey folks,

I've put out feelers before, but it's the new year and I wanted to look at offering to run some tabletop RPGs. Right now, I'm feeling pretty open system-wise (although would prefer the lighter-weight side of the hobby) and can help figure out schedule at some point. Also not necessarily looking for a long term commitment, but thought it might be fun to meet some folks and try out some games together.

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So I'm in 2 campaigns now and while I was using some shitty AI slop for my first character I feel like I need something better now

Any artists who could cut me some kind of comrade discount? I don't have a lot of spare money but I can pay at least a bit

Would also take tips on how to make the AI slop better if I can't afford character artwork

Thank you

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I think this TTRPG series is based off of some books?

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My party consists of five people across multiple states playing using roll20. Because of people traveling for the holidays, all but one of us will be near the same place, so we're going to have our first in-person session, a one-off where they'll have to climb a tower, fighting enemies and solving puzzles.

I've set it up where the absent player is trapped at the top of the tower near the big bad and they're going to charge up and rescue him.

My idea is that he can overhear what the boss is saying and communicate telepathically with the rest of the party to tell them hints about puzzles or enemy weaknesses and such. He's down to do this by phone or text.

Does anyone have any ideas for puzzles that could incorporate the missing member in a fun way?

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I am sorry if this is something basic that has been discussed to death before but I feel like I need to get this out of my system before I ruin friendships by wishing centuries of humiliation on people for the way they play pretend.

I had a casual chat with a friend and fellow GM about our current campaigns and worldbuilding. At some point beast races come up and I mention I like gnolls and give a few short details about their society in my setting. In response I get an explanation that he can't have this kind of characterization because of Goebbles level bullshittery about how beastmen are inherently savage and destructive and basically a swarm of pests that has to be put down. And how this is necessary in order to address the moral issues of what to do with beastmen non-combatants. Essentially giving players moral license to commit genocide and still be considered "good" in-universe.

It felt so fucking unreal seeing how normally chill people can almost reproduce word for word the vile shit that Zionists are using right fucking now as a justification for mass murder and not have a single moment of "oh shit wait wtf am I saying". I had to step away from the keyboard and calm down. I hate how concept of "sapient creatures that are completely and irredeemably evil and are specifically designed to be slaughtered" is seen as something completely normal and even expected. Gygax was a piece of shit genocide enthusiast who deserves to rot in hell and it's high time that we move on from colonial plunder sims with dragons and obligatory others that exist only to be killed and looted.

You are building an imaginary world and there are no limits. The genre is literally called imagination. There is no excuse for consciously designing entire species that are designated for slaughter and reproducing some of the vilest ideologies ever thought up by humans as a pillar of your worldbuilding.

That's it I guess. That's the rant. Thanks for reading. I am doing my best trying to give positive portrayals of non-human societies in my games and also trying to get my friends to play other games that aren't built from around breaking into others' homes to kill them and take their stuff.

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It's not a game out here.

"In point of fact it's the truth! They are killing off characters that deserve to live, prematurely, because they can't roll the saving numbers that are required!" - Colonel Louis Zochhi, Game Science

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I am SICK of having my incredible accomplishments (rolling dice and making up stories about them) dismissed as mere "luck". I HATE listening to people complain about how badly they roll. Today, I am going to reveal to you the secrets of how to make the most of your rolls and pull off incredible gaming achievements:

rule 1: Believe in the Heart of the Dice

Just like Yugioh from hit children's cartoon series Yu-gi-oh!, you need to believe in your dice, and they need to know that you believe in them. When they roll poorly, don't swap them out, keep using them, demonstrate that you believe they can do it. Punishments like Dice Jails won't help them reform their behaviour, so instead show the dice you care for them: cradle them in your hand, even when you don't intend to roll; find them private furnishings where they can relax with their closest friends between sessions; whisper affirmations to them while they're sleeping - show them you love them.
DO NOT FUCK THE DICE: Not only will it result in a very embarrassing hospital visit where you have to explain that you proceeded to engage in sexual intercourse with one or more small polyhedrons despite being warned not to by an owl that's a professor, but it will also result in a permanently awkward vibe between you and your dice, and you'll have to get rid of all of them and buy new ones that don't know about the whole dice-fucking situation.

rule 2: Stack the deck

Just because you're doing something dangerous doesn't mean it has to be difficult. Did my Paladin manage to 1v1 a Purple Worm despite the party giving up all hope because I rolled nothing but 20's? No, he won because 5e's rules are so unbalanced that he didn't need to roll higher than an 8 on a d20 to hit. Also a moment of tactical genuis where he leapt down its throat so it couldn't keep hitting him with its incredibly damaging tail sting, but mainly the low chance to fail.
You can't expect your dice to always bring out their absolute best, so give them lower targets they can hit consistantly. They will appreciate it, and pay you back by giving it their all when it really counts.
NB: You may find people claiming that this is a simple matter of probability; These people work for Big Statistics and are liars. Your dice do have feelings and appropriate targets are important for their growth.

rule 3: Once you do take a risk, make it an outrageous risk

Dice can't resist the tension of a high stakes roll, so raise those stakes as high as you can. Dramatic tension is key to keeping a die's interest, so if you need a really high roll for a plan to work, make sure it's really life or death.
Imagine the scene: A colossal dragon blue dragon is swooping and attacking a ship, far from land, surrounded by churning waves. A handful of arrows and magical rays fly from the deck, but if they are hurting her, she's undeterred - she seems determined to see this ship and its inhabitants reach the bottom of the ocean. On the deck stands a Minotaur Warden, frustrated as the dragon's speed keeps her far from his reach. He eyes her as she lines up her next swoop, starts running to where he thinks she'll attack, and takes a mighty leap - but where?
If you think he might grab her leg to hold on, or onto her wing to pin her and bring her down, you do not undestand drama. He jumped directly into her mouth, so he could hit her in the face. Obviously this prompted her to crunch down on the tasty morsel, but the dice were determined to see him live long enough to see his absurd scheme though, so, clinging onto consciousness by a handful of HP, he was still able to deliver one final blow with his warshovel.
Of course the die rolled a natural 20 and ensured it was a killing blow. In a situation that tense, who wouldn't? Just like you, the dice want something to really get excited for - you just need to give them the opportunity.

That's it.

Encouragement, achieveable goals, and stimulation. That's everything you need to almost guarantee your dice will always give you their best numbers. They will of course sometimes make mistakes, but these 3 rules will ensure that those mistakes never spiral out of control, and a critical success is never too far away.

 


mods I don't know what the hell this is but I needed it out of my head so feel free to delete

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Rant spoiler-ed below, because its mostly just complaining, but it feels like a lot of games lately have added 'gamified xp' to their systems, and I don't understand the appeal at all. The most positive any player I've talked to has felt about the systems are 'meh, I could take it or leave it', with most slightly disliking them.

So, mostly, I'm looking for people that like these kinds of mechanics (I have to assume they're out there if so many games feel like they're adding them), and what you is it you like about them.

But I feel like Milestone XP just makes the most sense for any traditional coop party RPG.

rantI like trying out a bunch of different systems, and there's a lot to like, especially with a lot of the smaller games out there. I do like there 'narrative' approach ttrpgs feel like they've been taking recently, but between Chronicles of Darkness, ICON, Forged in the Dark, Apocalypse world, etc., and all there spinoff systems all having XP be earned for specific actions in game, its just a pain in the ass, that takes me out of the action.

I mostly GM, but I strongly prefer milestone XP. For some of the above games, its easy enough to gut their bespoke XP systems out of it, and just have players advance over time, but in several of them, it fucks with the overall balance, since several actions are 'bad', but made worthwhile because they earn XP.

But I don't like the feeling of interrupting game to award point, and adjudicate character advancement. And I hate systems that have players advance unevenly. There's always going to be a certain degree on uneven-ness in player attention, of rules mastery, and of spotlighting. As GM, its important to manage those so that everyone gets a chance to shine. But it just feels like increasing that workload for the GM, to need to additionally pay attention to the XP, and try to drag or XP share the players that don't find those systems engaging to not mechanically fall behind.

And as a player, I tend to have higher system mastery and attention than the others I play with, and tbh it feels bad to end up with more XP because of that. But also, it feels bad to knowingly pass up free XP by purposefully not engaging with those systems.

Really, only Call of Cthulhu and Paranoia feel like their gamified XP fits, and that's largely because the games are supposed to feel hopeless and unfair, and in the case of Paranoia, gamified and playing favorites.

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Cover of T1-4: The Temple of Elemental Evil.

Love his work, shame he died so young.

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Love Parkinson's work. Been digging his D&D stuff. I used to know him from the Everquest boxes.

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Maybe it's about a system, a specific mechanic, lore, builds, types of players, ttrpg-adjacent products - whatever they are, share them.

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I like solo play, was wondering if I can spice things up by throwing an LLM in the mix. The way I tried currently becomes messy real soon, so I was wondering if someone who's successfully tried something like this could give me some pointers

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