YouKnowWhoTheFuckIAM
Meditations on Moloch is “soul-wrenching”, apparently. Jesus fucking Christ.
In what world do these people grow up? “Oh my God, conflict exists between interests and values, things are hard, not every problem is tractable”.
There used to be a refrain that “Moloch” is effectively Siskind’s word for capitalism, because he can’t bring his libertarian heart to name what everybody understands. But that’s wrong, because Siskind’s view is no more than the shallowest Burkeanism. And the worst thing about every single anti-Utopian is that they all assume everybody else feels as mugged by imperfection as they do.
Just the very starkest most ratiocinationary combination of a contrarian red herring and a false dilemma
yeah dude the reason people think MDMA isn’t worse than meth is that it isn’t their heart rate they’re worried about with habit-forming meth consumption
I knew they were writing under fake names
read that sentence back in a mirror to me
This isn’t a joke either. Read it back in the mirror. To ME. What do you think you see when you look in the mirror? WRONG.
Dogshit writing as well, “we would never wish for a war to occur”, read that sentence back in a mirror to me
War is the greatest human tragedy, but defence is indispensable. With our commitment to rebuilding the United States’ defensive industrial base, we at Ares aim to ensure this country is prepared to halt any conflict rapidly, and save countless live.
It’s all a system. None of that shit is organic. Even on /r/SSC TP0 and Kirkegaard had to pretend they didn’t actually know each other personally
These people are racism Trotskyists
For a moment I thought I’d replied in the wrong context, but it looks like I just straight up replied to the wrong thing. My bad either way
Ooooh somehow I replied to your reply to the comment rather than to the comment (originally replying to me)
Sometimes. But more importantly a good literature prof will be highly responsive to ongoing changes in the world around them with respect to the selection of texts, texts themselves will develop new resonances as times change (consider how Richardson’s Pamela; or, Virtue Rewarded might have changed before and after MeToo), and as critics generate new literature of their own, new perspectives have to be considered. These points, it turns out, all circulate around what you said here:
This isn’t really true. At the most basic level of analysis (which isn’t strictly correct, but will do for now), there are never less than two components, and one of them does change as time passes. (1) The words themselves, usually printed on a page without much variation between copies, and (2) the reader of those words. This “reader” is a hugely complicated object, and the text itself doesn’t really exist in any meaningful sense without one (dried ink letters are not “language” as such, but at most a record of information which generates language upon activation by a mind). It is this “reader” (or the huge variety of “readers” who continue to come in and out of existence as time passes) who generates changes that have to be kept up with in the study of literature, but that reader is a vital object of study in the (very roughly speaking) twofold object of literary studies.
Even the idea of an unchanging but growing corpus disguises, and yet relies on, this twofold division. The maintenance of such a corpus relies on the maintenance of a tradition of readers entrusted with the assumptions and techniques of interpretation pertinent to the ideals of that tradition. What is often foregrounded here is the maintained tradition, external to individual readers, but it is those individual readers who, collectively, actually do the work of keeping it.
The job of an up-to-date literature course is to attempt to account for such changes over the span of a three month term/semester, and it’s the consequent process of selection and refinement that generates the work which is being suspiciously handed off to a scammy robot in the article.