Spazsquatch

joined 1 year ago
[–] [email protected] 3 points 7 months ago

It’s also worth keeping in mind that the goal of television for much of its recent history was to hit the right number of episodes that you could get picked up for re-run syndication, which was a cash-cow. Quantity mattered more than quality after a certain point.

[–] [email protected] 0 points 8 months ago (1 children)

For anyone that hasn’t read, or doesn’t understand the article, the geo block ban the EU is proposing is aimed at broadcasters who are the primary buyers of content. Geo-blocking means that France Télévisions only serves a French audience, while ZDF serves German… BBC would be a more obvious example for English speaks, but, Brexit.

This ban would consolidate Europe into a single media market and would likely result in Germany and France controlling the a large portion of the content the rest of Europe views.

Additionally, a filmmaker can sell rights to something multiple times if there is interest in each market. This allows for larger budgets than you could afford if only sold once.

The European market is a bit archaic, and the filmmakers concerns are self serving, but consolidation around a few central players doesn’t seem likely to improve quality.

I’ve heard enough Canadians talk about their “second amendment right” to handguns to know there are deeper societal issues that are at risk as well.

[–] [email protected] 1 points 8 months ago

I’ve considered giving it a watch as I would have been around 8 that night, and I can imagine I was a bit young, especially if it was after my bedtime and following the high of Megaforce.

[–] [email protected] 1 points 8 months ago (3 children)

I remember a drive-in screening of Clint Eastwood’s Firefox and Megaforce. Megaforce seems to have found a cult audience in 2023, and I don’t know if I’ve ever heard Firefox mentioned.

I’ve avoided both as even though I have positive feels of that particular night, I doubt the films were good.

[–] [email protected] 1 points 9 months ago

Yeah, that’s what I was thinking, and you are right that automation wouldn’t be hard… although if I’m setting up that automation I’ll fail to commit to the deletion and just move the files to an archive folder. 😳

I only adopted Obsidian recently and only because I liked the idea of the data being stored as plain text files. I really haven’t adopted any system, just replaced Apple Notes.

[–] [email protected] 1 points 9 months ago (2 children)

Maybe not something you intended, but your phrasing has me curious if Obsidian has some sort of temporary note? I can imagine some use cases.

[–] [email protected] 1 points 9 months ago

I’ve always thought that if they rebooted Firefly, the way to do it would be to keep the ship, and give it a whole new crew. During the series you could have stories that intersect with whatever the original crew is doing now, but it would always be a tangential, and often tragic

[–] [email protected] 2 points 9 months ago

I read OP’s comment as indicating they wanted tech to move to alternative layouts from QWERTY, and the argument is always improved wpm.

I type slow as hell, I don’t have a dog in the fight.

[–] [email protected] -4 points 9 months ago (3 children)

It’s inefficient, there are many alternate layouts that are “better”. I feel like AI is going to give us auto-fill that makes the keyboard efficiency less important though.

[–] [email protected] 1 points 9 months ago

I’m curious how it goes with Apple. Historically they have only ever used software to drive hardware sales, and that generally keeps quality higher as shitty services don’t sell hardware… well maybe iCloud 😏

The last time I looked the service side was starting to show up in the profits.

[–] [email protected] 2 points 9 months ago

True, but just look at how much better it has gotten in the last couple decades. Putting the news behind the paywall runs the risk of ending the battle for impressions and might force nuance into well researched stories.

[–] [email protected] 14 points 9 months ago (2 children)

Everything costs over 100M these days and usually much, much more. I heard someone say The Marvels was $250M

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