cross-posted from: https://feddit.uk/post/14266267
Lee remains a singular presence in film history, and rewatching all his work recently reawakened me to just how good he was. He wasn’t just a great martial artist, but a tremendous screen presence. His characters don’t want to kill but they do so, without mercy but also with tremendous regret. That’s a particular kind of acting, a well-tuned harvest of subtle, authentic emotion. There was nobody quite like him before. Frankly, there’s been nobody since.
That is why studios around the world started exploiting Lee’s image mere months after his death, creating a short-lived but vast genre now referred to as “Bruceploitation.” Films with titles like Super Dragon: The Bruce Lee Story, Goodbye Bruce Lee: His Last Game of Death, The Dragon Lives Again and The Big Boss Part II promised “unseen” work by Lee to audiences in the pre-information age. These films starred men with stage names that often mimicked Lee’s own, such as Bruce Li or Dragon Lee. Martial artists themselves, they mimicked his fighting styles, battle cries, costumes and famous characters.
At first blush, there’s obviously something inherently disreputable about the entire endeavor. It’s bad taste at its core, particularly if you’re a fan of Lee’s work and philosophies.
But could it also be a treasure trove of hidden gems? A library of films that capture a particular time, place and filmmaking approach that feels impossible today? What about men like Bruce Li (real name Ho Chung-Tao) or Bruce Le (Lǚ Xiǎolóng)? These were talented martial artists playing the roles available to them. To what degree does their work deserve recognition, well after generations of fans have had time to process Lee’s death and the decades of work that have honored him hence?
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Those questions form the hypothesis behind Severin Films’ new Blu-ray set, The Game of Clones: Bruceploitation Collection Vol. 1, an eight-disc set featuring 15 films curated to give new audiences an introduction to the genre and what it had to offer. The set also includes the recent documentary, Enter the Clones of Bruce, which serves as an introduction to the overall set and makes up the first disc. It’s essentially a must-watch thesis statement for why the set exists and provides a more forgiving lens through which to view the films.
As an avid reviewer of this sort of thing, it’s a unique pleasure to view a product so exquisitely crafted around asking a viewer to look at an entire genre in a new light. There’s no shortage of odd cult films receiving gorgeous restorations and fancy packages these days, filled with essays and commentaries attesting to their worth. But I don’t think I’ve ever seen something quite as deeply researched and passionate as the Game of Clones set.
This isn’t a release that just dug up a bunch of oddities, threw them on discs, shoved them in a hardshell and commissioned some artwork. This entire project is constantly, earnestly attesting to the underappreciated significance of the Bruceploitation genre and has the scholarly receipts to make its case. The commentaries by Hong Kong film expert Frank Djeng and director / actor Michael Worth (who also does introductions for each film) are informative and, frankly, a little seductive. They, along with Severin, have created a set that begs you to watch every single disc. It feels like a curated adventure. That may be the highest praise I can give a product like this.
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The Game of Clones: Bruceploitation Collection Vol. 1 is an early contender for the best Blu-ray box set of 2024. Even my beloved Shawscope sets from Arrow Video — perhaps the height of martial-arts film curation in my eyes — operate with the understanding that their sets all include a few unimpeachable classic films as a selling point.
That’s not the case with Game of Clones. Everyone involved in this production understands they are operating on their back feet. They’re the underdogs, introducing new viewers to truly cult material. They understand the indescribable pleasure of discovery that comes with being a fan of schlock, of rarities, of true cinematic ephemera. And by god, they really manage to convey it. It’s not only that, but the selection of films and supplementary material really crafts an argument that these films — exploitative as they are — remain an enduring, even positive aspect of Lee’s legacy. I’m deeply impressed.
Tech specs at Blu-ray.com