this post was submitted on 08 Feb 2024
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Dungeon Meshi

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A Community for Dungeon Meshi a.k.a. Delicious in Dungeon.

The first season of the anime adaptation can be found on Netflix. Season 2 is confirmed and presumably currently in production.

DO NOT SPOIL THE ANIME WATCHERS

This is so that the anime watchers can sub to the community without worry of seeing posts that would spoil later parts of the story. This includes manga pages and panels, mentioning characters, fanart, etc.

Parent instance rules also apply, of course.

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submitted 10 months ago* (last edited 10 months ago) by [email protected] to c/[email protected]
 

Last weeks thread - 10 Comments

Dungeon Meshi is a well liked manga, and an adaptation by Studio Trigger is now airing. If you haven't picked this one up, consider joining us. Both for fun and as a way of contributing to activity on Lemmy.


HOLY SHIT HOLY SHIT HOLY SHIT!

I COMPLETELY FORGOT ABOUT THE PAINTING CHAPTER! THIS EPISODE IS FULL OF LORE, GUYS!

Let's hear your theories on what the past events in the paintings are about, and what significance the people in them had.

The gang has some trouble finding food, but things work out before long. Laios learns that despite being the party leader, he is the youngest. Marcille is a round 50, while Senshi is 112. That leaves Laios at 26, three years younger than Chilchuck.


Remember not to spoil anything if you're a manga reader, but feel free to elaborate on tidbits of lore that may not be coming through in the adaptation.

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[–] [email protected] 5 points 10 months ago

Those folks never ate crab, right? Gently break the carapace of the mimic with the tools, instead of using them to "fish" the meat. And if you turn the joints in a certain way, you'll probably be able to pull all the meat at once.

The idea of eating inside the paintings was fucking dumb... well, it's from Laios so appropriate. If you can't bring items out, of course the stuff that you eat in the painting remains in the painting, you're just fooling your senses.

And the dark elf being able to remember what he saw in other paintings. That's going to be important later on.