this post was submitted on 28 Nov 2023
1 points (100.0% liked)

Photography

3 readers
1 users here now

A place to politely discuss the tools, technique and culture of photography.

This is not a good place to simply share cool photos/videos or promote your own work and projects, but rather a place to discuss photography as an art and post things that would be of interest to other photographers.

founded 11 months ago
MODERATORS
 

I have always wondered how museums handle really large photos. I can understand paintings because they come sort of "pre-mounted" on canvases, but what about photos? Say a museum received a gift of a life-sized Richard Avedon photo. How would that photo be mounted to show? Would it be framed? Glued to some kind of backing? I am not so much interested on how they attach it to the wall, but rather how do that prepare it for show. Any insights? The reason I ask is because I am thinking of making some large prints, like 40x60 or larger, but am not sure what to do once I get them.

you are viewing a single comment's thread
view the rest of the comments
[–] [email protected] 1 points 9 months ago (1 children)

A museum wouldn’t face mount an unmounted photo, but it won’t stop them from acquiring a photo that was face mounted by the photographer. Contemporary photographer may have their prints mounted in DiBond. Which will keep them flat and have a nice look. Causes a few headaches with handling and storage, but museums deal with it if that is what the photographer wanted.

I just strongly advise make sure the framer is using actual brand named DiBond. If seen knock offs delaminate which creates a whole new set of nightmares.

[–] [email protected] 1 points 9 months ago

knock off dibond wannabes are indeed the devil incarnate...