this post was submitted on 23 Jun 2023
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Science Fiction

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This magazine is aimed at fans and creators of sci-fi and related media of all kinds. It includes all content related to the sci-fi genre and only content related to the sci-fi genre. The goal is to build a community for everyone who enjoys science fiction and related topics. This includes the obvious books, movies, and TV shows, but also original writing, the discussion of writing SF, futuristic art and designs, and the science and technologies that inspire the sci-fi genre. **Team Top 20**

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It's a slightly click-baity title, but as we're still generating more content for our magazines, this one included, why not?

My Sci-fi unpopular opinion is that 2001: A Space Odyssey is nothing but pretentious, LSD fueled nonsense. I've tried watching it multiple times and each time I have absolutely no patience for the pointless little scenes which contain little to no depth or meaningful plot, all coalescing towards that 15 minute "journey" through space and series of hallucinations or whatever that are supposed to be deep, shake you to your foundations, and make you re-think the whole human condition.

But it doesn't. Because it's just pretentious, LSD fueled nonsense. Planet of the Apes was released in the same year and is, on every level, a better Sci-fi movie. It offers mystery, a consistent and engaging plot, relatable characters you actually care about, and asks a lot more questions about the world and our place in it.

It insists upon itself, Lois.

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[–] [email protected] 14 points 1 year ago* (last edited 1 year ago) (1 children)

The books are great. Show does a good job moving the intrigue and conflicts to a screen but man if Avasarala and Amos aren’t the absolute best portrayal of those characters.

Avasarala has a heart of gold and a fist of iron in equal measures.

This means she’ll do horrible things (even at her own expense) for what she believes is right and she doesn’t put up with any kind of nonsense.

And yet she plays the political game so well all while pretending she’s above it.

And the Shohreh Aghdashloo knocks the character out of the park. Every move and word both foul and sweet personifies the character in the book that it’s impossible to convey how absolutely masterful the performance is.

And Wes Chatham as Amos is a close second. A man whose moral code is simple because he’s broken, knows it, and so he defaults to “who is the most likely good person I can use as a guide.” Chatham portrays the violence is necessary like doing the laundry.

Turns it on, does the job, goes back as if nothing happened. Oh, I should do this instead? You got it boss.

Or how he conveys in the simple things how Amos feels there is a moral right but having grown up as he did it’s hard to know what that is and who has the authority to enforce it it just chefs kiss

What? Stop beating this guy? Ok. Sorry fella, buy you a drink?

[–] [email protected] 1 points 1 year ago

And the Shohreh Aghdashloo knocks the character out of the park. Every move and word both foul and sweet personifies the character in the book that it’s impossible to convey how absolutely masterful the performance is.

I loved every moment she was on screen, totally captivating. Great costume design, script writing and acting all together.