Photography
c/photography is a community centered on the practice of amateur and professional photography. You can come here to discuss the gear, the technique and the culture related to the art of photography. You can also share your work, appreciate the others' and constructively critique each others work.
Please, be sure to read the rules before posting.
THE RULES
- Be nice to each other
This Lemmy Community is open to civil, friendly discussion about our common interest, photography. Excessively rude, mean, unfriendly, or hostile conduct is not permitted.
- Keep content on topic
All discussion threads must be photography related such as latest gear or art news, gear acquisition advices, photography related questions, etc...
- No politics or religion
This Lemmy Community is about photography and discussion around photography, not religion or politics.
- No classified ads or job offers
All is in the title. This is a casual discussion community.
- No spam or self-promotion
One post, one photo in the limit of 3 pictures in a 24 hours timespan. Do not flood the community with your pictures. Be patient, select your best work, and enjoy.
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If you want contructive critiques, use [Critique Wanted] in your title.
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Flair NSFW posts (nudity, gore, ...)
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Do not share your portfolio (instagram, flickr, or else...)
The aim of this community is to invite everyone to discuss around your photography. If you drop everything with one link, this become pointless. Portfolio posts will be deleted. You can however share your portfolio link in the comment section if another member wants to see more of your work.
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"Understanding Exposure" Is great for the technical aspects of photography, and for the soft skills take a look at Ansel Adams' books
Thank you for the advice!
I think he does a great job of explaining how he thought about his pictures before taking them. How they were composed, exposed and developed to say what he wanted to say with each photo. He was from a time when you had to haul a heavy ass camera out into the wilderness and up a mountain, guess the correct exposure, with only a few chances to get the shot, and no way to know how it was going to look until you get back to your dark room and start working on the plate/film. The stakes were so much higher for each shot, I feel like his insights are extremely valuable nowadays, where the machine-gun photography approach is so common