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Pierre-Auguste Renoir was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."

Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, in 1841. His father, Léonard Renoir, was a tailor of modest means, so in 1844, Renoir's family moved to Paris in search of more favorable prospects. The location of their home, in rue d’Argenteuil in central Paris, placed Renoir in proximity to the Louvre. Although the young Renoir had a natural proclivity for drawing, he exhibited a greater talent for singing. His talent was encouraged by his teacher, Charles Gounod, who was the choir-master at the Church of St Roch at the time. However, due to the family's financial circumstances, Renoir had to discontinue his music lessons and leave school at the age of thirteen to pursue an apprenticeship at a porcelain factory.

More impressions: https://artvee.com/artist/pierre-auguste-renoir/

(French, 1825-1905)

William-Adolphe Bouguereau was a French academic painter. In his realistic genre paintings, he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life, he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. He finished 822 known paintings, but the whereabouts of many are still unknown.

More Bougie: https://artvee.com/artist/william-bouguereau/

It is in oil on canvas with dimensions 51 cm × 45 cm (20 in × 18 in). An engraving of an astrolabe invented by Adriaan Metius appears in the book on the table in the painting. Portrayals of scientists were a favourite topic in 17th-century Dutch painting and Vermeer's oeuvre includes both this astronomer and the slightly later The Geographer. Both are believed to portray the same man, possibly Antonie van Leeuwenhoek.

More Vermeer: https://artvee.com/artist/johannes-vermeer/

The Anger of Achilles is an oil-on-canvas painting of 1819 by the French artist Jacques-Louis David. One of the last of David's history paintings, it shows the moment in Greek myth when Agamemnon reveals to Achilles that he has not actually brought his daughter Iphigenia to him as a bride, but rather intends to sacrifice her in order to appease the goddess Artemis. Achilles begins to draw his sword in anger upon hearing this, while Agamemnon's wife, Clytemnestra, looks on in grief and sadness with her hand on her daughter's shoulder.

More on David: https://en.wikipedia.org/wiki/Jacques-Louis_David

(Austrian, 1862-1918)

Gustav Klimt was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism.

More: https://artvee.com/artist/gustav-klimt/

(French, 1877-1951)

Emile-Allain Séguy was a popular French designer throughout the Art Deco and Art Nouveau movements of the 1920s. Often confused with the French entomologist Eugene Séguy who was active during the same time period, E.A. Séguy designed primarily patterns and textiles and was heavily influenced by the natural world. He was particularly fond of the intricate patterns and beauty of insects, which he saw as “mechanic wonders” that provided abundant inspiration for interior design.

More beautiful bugs: https://artvee.com/artist/emile-allain-seguy/

Portrait of Père Tanguy, painted by Vincent van Gogh in 1887, is one of his three paintings of Julien Tanguy. The three works demonstrate a progression in van Gogh's artistic style after his arrival in Paris. The first is somber, and formed from a simple composition. The second introduces van Gogh's Japanese prints. The last and most advanced in style, skill and color integrates Japanese, Impressionist, and other influences on the Parisian artist community. This painting conveys a sense of serenity that van Gogh seeks for himself. This last painting of Tanguy is in the Musée Rodin, Paris.

https://en.wikipedia.org/wiki/Portrait_of_P%C3%A8re_Tanguy

(Japanese, 1877-1945)

Ohara Koson was a Japanese painter and woodblock print designer of the late 19th and early 20th centuries, part of the shin-hanga ("new prints") movement. Ohara Koson was famous as a master of kachō-e (bird-and-flower) designs. Throughout a prolific career, in which he created around 500 prints, he went by three different titles: Ohara Hōson (小原豊邨), Ohara Shōson (小原祥邨) and Ohara Koson.

He was born Ohara Matao; it is thought that he started training in painting and design at the Ishikawa Prefecture Technical School in 1889–1893. He also studied painting with Suzuki Kason (1860–1919), although accounts differ on whether this happened during his school years or after he moved to Tokyo in the middle to late 1890s.

More: https://artvee.com/artist/ohara-koson/

(English, 1855-1919)

Evelyn De Morgan, née Pickering, was an English painter associated early in her career with the later phase of the Pre-Raphaelite Movement. Her paintings are figural, foregrounding the female body through the use of spiritual, mythological, and allegorical themes. They rely on a range of metaphors (such as light and darkness, transformation, and bondage) to express what several scholars have identified as spiritualist and feminist content. She boycotted the Royal Academy and signed the Declaration in Favour of Women's Suffrage in 1889. Her later works also deal with the themes of war from a pacifist perspective, engaging with conflicts like the Second Boer War and World War I.

More art: https://artvee.com/artist/evelyn-de-morgan/

(French, 1885 – 1937)

Georges Valmier was a French painter. His work encompassed the great movements in the modern history of painting, starting with Impressionism in his early years, then Cubism which he discovered when he was around 25 years old, and finally Abstractionism from 1921. He also designed sets and costumes for theater and ballet, and models for fabrics, carpets, and other objects. His oil paintings do not exceed 300 in number, since Valmier died prematurely at the age of 51.

More: https://artvee.com/artist/georges-valmier/

William Stanley Haseltine was an American painter and draftsman who was associated with the Düsseldorf school of painting, the Hudson River School and Luminism. Born in Philadelphia to John Haseltine, a successful businessman, and Elizabeth Shinn Haseltine, an amateur landscape painter, Haseltine studied at the University of Pennsylvania and then at Harvard University, where he received a degree in 1854.

More: https://artvee.com/artist/william-stanley-haseltine/

(New Zealander, 1869-1947)

Frances Mary Hodgkins was a New Zealand painter chiefly of landscape and still life, and for a short period was a designer of textiles. She was born and raised in New Zealand, but spent most of her working life in England. She is considered one of New Zealand's most prestigious and influential painters, although it is the work from her life in Europe, rather than her home country, on which her reputation rests.

More: https://artvee.com/artist/frances-hodgkins/

German, 1870–1937

Carlo Pietro Sigismund Righini was a Swiss painter and art association executive. He came from a family that included a long line of decorative painters, originating in Bedigliora. His father, Francesco (1837–1914), followed in the family tradition as well as being a master builder. His mother, Katharina Steinbrecher (1838–1925) was a native of Stuttgart.

A bit more: https://artvee.com/artist/sigismund-righini/

Natalia Goncharova The Forest 1913

Oil on canvas.  130 x 97 cm

Museo Nacional Thyssen-Bornemisza, Madrid

In 1913, the year the present “Rayonist landscape” entitled The Forest is dated, Natalia Goncharova and Mikhail Larionov signed the Rayonist Manifesto.

This Russian avant-garde movement was defined by Camilla Gray as the style which “encompasses all existing styles and forms of the art of the past, as they, like life, are simply points of departure for a Rayonist perception and construction of a picture.”

According to this new aesthetic idea which, as the American historian specifies, departed from the concept of perception, both artists showed an interest in the nature of vision and began studying light as the indispensable source of our sensory appreciation of the world. Given that, in order for any object to be seen it must be illuminated, the Rayonists represented in painting the whole sequence of rays that allows us to see a particular scene. “We do not sense the object with our eye, as it is depicted conventionally in pictures and as a result of following this or that device, ” they stated in the Rayonist manifesto. “In fact, we do not sense the object as such. We perceive a sum of rays proceeding from a source of light; these are reflected from the object and enter our field of vision.” 

The Forest, also entitled Rayonist Landscape or Rayonist Perception, which was shown both in Mishen (Target), the exhibition organized by Larionov in Moscow in 1913 marking the new movement’s introduction to society, and in the solo exhibition of the painter’s work organised by the gallery owner K.I. Mikhailova at his Art Salon in Moscow that year, is an illustrative example of Goncharova’s interpretation of Rayonism.

(https://www.museothyssen.org/en/collection/artists/goncharova-natalia)

(French, 1845–1928)

Madeleine Lemaire, née Coll was a French painter specialized in elegant genre works, and flowers. Robert de Montesquiou said she was The Empress of the Roses. She introduced Marcel Proust and Reynaldo Hahn to the Parisian salons of the aristocracy. She herself held a salon where she received high society in her hôtel particulier on the Rue de Monceau.Lemaire exhibited her work at the Palace of Fine Arts and The Woman's Building at the 1893 World's Columbian Exposition in Chicago, Illinois.

A little more: https://artvee.com/artist/madeleine-jeanne-lemaire/

Judith Jans Leyster was a Dutch Golden Age painter. She painted genre works, portraits and still lifes. Although her work was highly regarded by her contemporaries, Leyster and her work became almost forgotten after her death. Her entire oeuvre was attributed to Frans Hals or to her husband, Jan Miense Molenaer, until 1893. It wasn't until the late 19th century that she was recognized for her artistic abilities.

A bit more: https://artvee.com/artist/judith-leyster/

Figurative sculptures from a Spanish celebration, 2019

https://en.wikipedia.org/wiki/Fallas

and even more info:

https://www.atlasobscura.com/articles/valencia-las-fallas-festival

Edgar Degas (19 July 1834 – 27 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings.

https://en.wikipedia.org/wiki/Edgar_Degas

Herman Henstenburgh (1667, in Hoorn – 1726, in Hoorn), was an 18th-century painter from the Dutch Republic.

https://en.wikipedia.org/wiki/Herman_Henstenburgh

and

https://en.wikipedia.org/wiki/Vanitas

Norwegian, 1863 - 1944

Edvard Munch was a Norwegian painter. His best known work, The Scream, has become one of the iconic images of world art. His childhood was overshadowed by illness, bereavement and the dread of inheriting a mental condition that ran in the family. Travel brought new influences and outlets. In Paris, he learned much from Paul Gauguin, Vincent van Gogh and Henri de Toulouse-Lautrec, especially their use of colour. In Berlin, he met the Swedish dramatist August Strindberg, whom he painted, as he embarked on his major canon The Frieze of Life, depicting a series of deeply-felt themes such as love, anxiety, jealousy and betrayal, steeped in atmosphere.

More art:
https://artvee.com/artist/edvard-munch/

Japanese, 1786 – 1865

Utagawa Kunisada, also known as Utagawa Toyokuni III (三代 歌川 豊国 Sandai Utagawa Toyokuni), was the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi.

At the end of the Edo period (1603–1867), Hiroshige, Kuniyoshi and Kunisada were the three best representatives of the Japanese color woodcut in Edo (capital city of Japan, now Tokyo). However, among European and American collectors of Japanese prints, beginning in the late 19th and early 20th century, all three of these artists were actually regarded as rather inferior to the greats of classical ukiyo-e, and therefore as having contributed considerably to the downfall of their art. For this reason, some referred to their works as "decadent".

More art:
https://artvee.com/artist/utagawa-kunisada-toyokuni-iii/

Oscar-Claude Monet was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions before nature, especially as applied to plein air (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting Impression, soleil levant, exhibited in the 1874 ("exhibition of rejects") initiated by Monet and his associates as an alternative to the Salon.

Monet, Monet, Moooooneeeetttt
https://artvee.com/artist/claude-monet/

Thomas Deininger is a Rhode Island based artist whose work combines environmental concerns with an innovative approach to image making. His found object assemblages are constructed from non-recyclable, non-biodegradable materials that pile up in our nation’s landfills. Works like this provide a thoughtful response to mass consumerism. He asks the viewer to reconsider the potential for transcendence of the mundane. His works are in many private and public collections throughout the world.

https://www.ecfa.com/artists/36-thomas-deininger/overview/

No more direct source unfortunately. From my research these were scanned from a print magazine.

French, 1859-1891

Georges Pierre Seurat was a French post-Impressionist artist. He is best known for devising the painting techniques known as chromoluminarism as well as pointillism. While less famous than his paintings, Seurat's conté crayon drawings have also garnered a great deal of critical appreciation.

More art: https://artvee.com/artist/georges-seurat/