this post was submitted on 22 Nov 2023
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Music and audio production
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Definitely keep the things like vocal bass, kick etc straight down the middle. You could consider sending the guitar to a separate bus, adding some soft effects and then panning those. Depending on the tone of your bass, you can duplicate it, high pass one and low pass the other, send the low down the middle and slightly pan the brighter track. You could achieve quite a bit of width just doing this and without recourse to stereo imaging, which of course you can still use.
I wanted to try something like that and what I did was double tracked the bass and put an EQ on each of them. But I wasn’t sure if I was cutting them 50% each (high / low pass), or if I even need to be that strict. I’ll revisit it and go by ear rather than eye because this sounds exactly like what I need. Thank you!
When you say 50%, are you referring to the 'middle' of the frequency curve..? Try separating... low and high pass at about 150-200Hz then centering the low, keeping it clean and adding some kind of saturation to the high then panning two of that, not mad or hard L/R. If the bass conflicts with the kick for space, give the kick priority, either using dynamic EQ or multiband on a side chain.
There is no right or wrong here, just 'what works' but finding the sweet spot in these strategies might help.
Someone below mentioned double tracking the guitar by replaying. This is a good idea but make sure your timings are hitting, especially on supporting 'power' chords, otherwise you'll also lose punch in the final mix. If you're double tracking, listen in mono too. You will possibly have phasing issues.
Enjoy.