Digital Art

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Alazir Station by Me (lemmy.blahaj.zone)
submitted 11 months ago by [email protected] to c/[email protected]
 
 

An illustration for my work-in-progress novel Sailor for the Second Dusk.
Depicted is the interior of Alazir Station, a space habitat built into the tail of a comet in the Deltauri system, and the last free nation of the Hyades Cluster. Due to the overwhelming presence of water ice in the rock surrounding Alazir's primary centrifuge drum, excess moisture has seeped inside and given the station a distinctly rainy and miserable climate. Nonetheless, Alazir is a city famed for its lively streets steeped in bright neon, casting gaudy rays to mingle with the colourful fabrics of merchant tents, dappled and wavering in a wet and heavy mist which carries every manner of culinary scent high into the cold air.
Source
Personal Website

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epiderMal (sh.itjust.works)
submitted 11 months ago* (last edited 11 months ago) by merde to c/[email protected]
 
 
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The second photobash in what I hope will be a series; a bit larger and more visually interesting than the first. I’ve started thinking of these as 'postcards from a solarpunk future.’ They might not show the width and breadth of this world, but nice scenes of what this fictional solarpunk society would consider aspirational, or values worth showing off.

I feel that for a genre/movement with such a focus on intentionality, there’s a lot of AI art setting the tone online, along with a tendency to accept anything that looks partway futuristic and green, even if it’s a massive cityscape or sort of generically utopian. I want to try to pull the visual aspect towards a more lived-in, human future that sets out to show possibilities/options.

My goals for this one were pretty simple: I wanted to show a setting where cars are no longer the priority, and to show that a solarpunk society will embrace new technology and infrastructure where it’s a good use of limited resources (in contrast to the focus on reusing what’s here that I’m trying to include in other images). I also wanted to show that there’s room for more than one solution (and more than one kind of lifestyle) as with the bicyclist towing a kind of traditional-looking wagon.

As with the other photobashes, there are ruins in this scene. One of my overarching goals is to keep these pictures from looking utopian or like some kind of scratch-built future. Things will be messy, resources will be scarce, and tasks will go undone. As in our world, the debris of abandoned projects will pile up around human society, no matter how good its intentions are. I’m pessimistic enough to see bad times ahead, but I want to emphasize in these that that doesn’t mean giving up. For me, that’s a big part of the appeal of solarpunk, that the people in it keep working to mitigate the damage at any level they can access, and will try to rebuild more deliberately, carefully when they can. So these scenes are a little postapoclyptic, with hopefully a more inclusive, vibrant, and colorful society on the other side.

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3D showcase here: https://youtu.be/ID7GuyEN7V0

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If you look closely this one actually features me in it!

As usual all made in Blender and rendered with Cycles

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submitted 11 months ago* (last edited 11 months ago) by ink to c/[email protected]
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submitted 11 months ago* (last edited 11 months ago) by ink to c/[email protected]
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Spending the morning working on some art for the #Ladies2_0 book, and then on to writing for something really special I will be sharing later today...stay tuned!!

#IndieAuthor #indieauthors #digitalartist @digitalart #digitalpainting #kritaartist #kritaart #cyberpunk

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submitted 11 months ago* (last edited 11 months ago) by ink to c/[email protected]
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cross-posted from: https://lemmy.blahaj.zone/post/2513461

Source

Gallery

I made this from a photo of a sunset at a local beach that I databent using Audacity.

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I love this artist so much. She’s @curisaris on insta.

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Melt

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