Libraries

cross-posted from: https://lemmy.zip/post/15657357

Digital collections put library patrons’ privacy at risk

Canonical YouTube link

I noticed a library that has ethernet ports, which I must say is quite impressive. So many libraries strictly expect people to use wifi which has downsides:

• many (most?) wifi NICs have no FOSS drivers (ethernet is actually the only way I can get my FOSS laptop online)
• ethernet is faster and consumes less energy
• wifi radiation harms bees and other insects according to ~72 studies (update: separate discussion thread here which shows the research is heavily contested)
• apparently due to risk of surrounding households consuming bandwidth, 2FA is used (which is inadvertently exclusive at some libraries)
• enabling wifi on your device exposes you to snooping by other people’s iPhones and Androids according to research at University of Hamburg. Every iPhone in range of your device is collecting data about you and sending it to Apple (e.g. SSIDs your device previously connected to). From what I recall about this study, it does not happen at the network level, so ethernet devices attached to the same network would not be snooped on (and certainly SSID searches would not be in play).
• (edit) users at risk to AP spoofing (thanks @[email protected] for pointing this out)

I don’t know when (if ever) I encountered a library with ethernet. Is this a dying practice and I found an old library, or a trending practice by well informed forward-thinking libraries?

BTW, the library that excludes some people from wifi by imposing mobile phone 2FA is not the same library that has ethernet ports, unfortunately. If you can’t use the wifi of the SMS 2FA library then your only option is to use their Windows PCs.

All libraries in #Brussels are closed on holidays and most of them closed on Sunday. Exceptionally, a few open on Sunday for just a 2 hour window so you can get a book and get out.

Even more exceptional is one branch in the city that is officially closed on Sunday but you can sign up for access all day. It’s not staffed but you can badge in and surveillance cameras record everything throughout. You cannot bring friends and have a duty to prevent tail-gating through the door. But it’s good to at least have the option. Otherwise it’d be quite annoying to have no access on Sunday. Most people get Sunday off so of course it’s the most interesting day to use the library.

Anyway, it’s cool that the Swedish library in that article was respected apparently despite no surveillance (I assume). If that were a regular thing I guess there would eventually be a bad apple.

Videos used to be on VHS tape, then DVD, then blu-ray. But these discs are being obsoleted. My library piled ~10s of thousands of audio CDs on tables a couple years ago and simply gave them all away. For a week you could take whatever you wanted. The library did not want them back. They were offloading.

So apparently the trend is: everything is going to the cloud. If I want to learn a new skill, Youtube has become the way to do that. So how do you bring home a #Youtube video? The library has started blocking Invidious downloads-- probably fearing copyright issues.

Didn’t people generally used to be able to checkout a dozen or so DVDs? So you could watch the content at home in your overstuffed chair with beer, popcorn, pizza, whatever. The online access restrictions force us to do the viewing inside the library and only during library hours. And of course if I try to carry in an overstuffed chair, a keg of beer, and pizza, they’ll probably bounce me for breaking the “no food” rule. So it seems we’re losing the ability combine beer and videos.

When a video is walking people through the steps of repairing or rebuilding something, it can be absurdly impractical to memorize the video and (for example) try to rebuild your motorcycle. The video has to be in front of you as you work on the device.

In an abstract way, it’s a #rightToRepair issue. I would love to drive a motocycle into a library and disassemble it in the PC area as a publicity stunt.

cross-posted from: https://sopuli.xyz/post/5178140

Connecting to the WiFi network of the French library system is arbitrarily restrictive. Connection dies the moment a Tor packet is sent. Tor is legal and also does not break the agreement people must agree to when connecting.

Does anyone know if this is the library’s decision? They apparently outsource to Cisco so I wonder if Cisco decided for themselves to block Tor traffic without being directed to do so.

Is it typical for public libraries to block #Tor?

Does the EU or any EU member states have anything comparable to the Library Bill of Rights?

The WiFi service requires no password but once you connect you are forced through a login portal that requires your mobile phone number which it then verifies via SMS.

I imagine a lot of people with GSM service likely have a data plan, thus don’t need WiFi. People on limited/prepaid plans would benefit from WiFi. But non-GSM users are discriminated against and it seems like a human rights violation. Universal Declaration of Human Rights article 21 ¶2: “Everyone has the right of equal access to public service in his country.” I wonder if it might be a #GDPR violation as well since it would seem to undermine the data minimization principle.

The library has PCs but then of course those PCs are limited to the apps the library installs.

The library’s PC was blocked from a Cloudflare site. This was not the CAPTCHA style block but a hard and fast absolute block. I tested another site which I know is Cloudflared, and no block (but that was the type of site that pushes CAPTCHAs rather than absolute blocks).

So I’m wondering how common this is. Cloudflare is generally hostile toward any shared IP address. Are many libraries experiencing Cloudfare blockades?

cross-posted from: https://fedia.io/m/Brussels/t/344992

Until recently, it was possible to download #Youtube videos on a library PC & store on USB drive by using an #Invidious front-end. Recently the library has blocked all invidious instances. You can still view videos but when you try to download one it gives a 403 forbidden error.

Why are they doing this?

I can only think of two possibilities: 1. bandwidth limitations 2. copyright issues. Anyone know anything solid about this?

Suggestions on other options would be appreciated. I assume users cannot install their own apps, which means front-ends that need installation are problably a non-starter. It looks like there is a web-based front end called #Piped but many of those instances are hosted with the same domain as Invidious thus may be blocked as well.

#lawfedi

cross-posted from: https://kbin.social/m/13thFloor/t/414236

This event provides artists, community archivists and historians with information on how to protect their creative legacy in this day and age.

Watch on YouTube

Koret Auditorium
Main Library
100 Larkin Street
San Francisco, CA 94102
Contact Telephone
415-557-4400
[email protected]

The presentations are contextualized by the history of cultural appropriation of Black creative production and will help participants understand how the resources represented on the panel can help to prevent such egregious violations in the future.

Featuring Tracy Brown, director, Bridges Diasporic Arts, event organizer; Duane Deterville, SFSU professor & the event facilitator; Janet Hicks, vice president and director of licensing, Artists Rights Society; and Cassidy Cole of Artwork Archive.

Tracy Brown, the event organizer, is an independent curator, artivist, sculptor, installation artist, photographer, public presenter, guest lecturer and Capacity Building Consultant. Tracy is also the founder and director of Bridges Diasporic Arts. As a result of her work she was able to compel the world's largest purchasing body, the General Services Administration (GSA), to remove the rubber Black man from their catalog. Tracy also made significant contributions to the efforts to eradicate the availability of flavored tobacco. Today, she teaches independent workshops to resilient populations. Tracy serves as a Workshop Leader with the Center for Artistic Activism and as an independent creative consultant.

Kwadwo Duane Deterville, the event’s facilitator, is an artist, writer and scholar of visual culture. A former Contra-Mestre of the African Brazilian martial art known as Capoeira, his primary area of study is in African and African Diasporic cultural expression. Deterville’s independent field research includes trips to Haiti and Brazil to research sacred ground drawings and altars. He has lectured at museums, colleges and universities about visual culture as it relates to the African and African Diasporic experience. As the Co-founder of Sankofa Cultural Institute Kwadwo produced three symposiums on the history and aesthetics of Jazz. He co-authored the book titled Black Artists in Oakland which was published by Arcadia in 2007 and was an alumni columnist for the San Francisco Museum of Modern Art’s online publication called “Open Space.” His visual art practice is focused on drawings that address the intersection between symbols and rituals in African Diasporic religions. His artwork has been shown both domestically and abroad. As a teaching artist, he designed lesson plans and curricula to teach art to youth incarcerated in San Francisco. Deterville received his BFA and an MA in Visual and Critical Studies (2009) from the California College of the Arts located in San Francisco California. In 2015 he received the Visual and Critical Studies department’s alumni award and was the second scholar to receive the honor. Deterville is currently lecturing faculty for San Francisco State’s Africana Studies Department.

Cassidy Cole is the product education lead at Artwork Archive. She is dedicated to helping artists boost productivity, gain visibility, preserve their artistic legacies and craft sustainable careers. As an exhibiting artist and documentary filmmaker based in LA, Cassidy couples her firsthand experience with product expertise. She intimately understands the challenges facing today's creatives and translates that insight into impactful training.

Janet Hicks is Vice President and Director of Licensing at Artist Rights Society, and serves on the Executive Committee of the visual arts arm of CISAC, known as CIAGP, the International Council of Creators of Graphic, Plastic, and Photographic Arts. She is also the ARS representative for IFFRO, the International Federation of Reproductive Rights Organization. At ARS she handles advertising, film and television uses as well as major museum exhibits and international and membership relations. She has a MA in Art History from the University of Oregon and is also a curator and advocate for emerging contemporary and outsider artists at her art gallery, One Mile Gallery.

Andrea Sexton Dumas is the co-founder of Digital Roots Studio, a family-owned and operated digitization house in Albany, Ca. As a digital preservationist and storyteller, she deeply values intergenerational exchange, instilled in her by her grandmother and niece. In addition, Andrea is an end-of-life doula and grief tender, hosting the podcast Recipes for Grief.

I know Canadian libraries operate similarly, but I mean more so like in Europe. Are they as big there as they are here? And do they require fees to join, or are paid via taxes like here as well?