Hillary Clinton has joined the team backing “Suffs,” a new musical about the women’s suffrage movement, as has Malala Yousafzai, a Pakistani activist and Nobel Peace Prize winner. The producing team announced Wednesday that the show, which had an Off Broadway run last year at the Public Theater, will transfer to Broadway in the spring, opening at the Music Box Theater on April 18 2024.
“Suffs” explores the early-20th-century struggle for women’s voting rights in the United States; the dramatic tension involves an intergenerational struggle over how best to hasten political change. The musical is a longtime passion project for the singer-songwriter Shaina Taub, who wrote the book, music and lyrics; Taub also starred in the Off Broadway production, but casting for the Broadway run has not yet been announced.
The musical is being directed by Leigh Silverman (“Violet”); the lead producers are Jill Furman (“Hamilton”) and Rachel Sussman (“Just for Us”). The show is being capitalized for up to $19.5 million, according to a filing with the Securities and Exchange Commission; Furman said the actual budget will be $19 million.
The Off Broadway production of “Suffs” opened to mixed reviews; in The New York Times, the critic Maya Phillips wrote that “the whole production feels so attuned to the gender politics and protests of today, so aware of possible critiques that it takes on its subject with an overabundance of caution.” But “Suffs” sold well, and Taub and the rest of the creative team have been reworking the show over the past year.
“We’ve done a lot of work on it — we’ve listened to the critics, and we listened to the audiences,” Furman said. In the months since the Public run, Furman and Sussman added, Taub has rewritten some songs, distilled the book, removed recitative and shortened the running time. “We feel really confident in what we’ve created,” Sussman said.
The lead producers said Clinton and Yousafzai would be ambassadors for the show, helping to promote it as well as offering input.
Clinton is a lifelong theater fan who, in the years since her bid for president, has become a frequent Broadway (and sometimes Off Broadway) theatergoer. Last year, a special performance of “Suffs” was held to raise money for groups including Onward Together, which she co-founded to support progressive causes and candidates; Clinton attended and participated in a talkback.
Yousafzai, an advocate for women’s education, also saw the show, and called it “amazing.”
“Suffs” is joining what is shaping up to be a robust season for new musicals on Broadway: It is the 11th new musical to announce an opening this season, with at least a few more still expected.
“The season is very crowded, and we recognize that,” Furman said, “but we think there is a market for this kind of story.”
Curious if Clinton is actually a lifelong theater fan or if that part is just some fluff to get Broadway fans on board with a non-expert producer.
Going to be honest here, all my theatre experience has been far away from the producer position so I’m not actually sure what skills it requires, or if you can have a lot of fluff producers plus one “real” one, or if it’s something you can easily slide a politician into and have her actually do her fair share of the work (well, beyond drawing people to it via name recognition so you click on the article and maybe go see the show, which you can argue is worth money even if she doesn’t actually lift a finger). I am legitimately curious to learn more of what it does.
She's definitely a theatre fan. She's seen a lot of shows and has even been interviewed on Broadway-related podcasts - I recall one that's hosted by a former staffer or hers... it may have been The Fabulous Invalid podcast.
Of course I think it's fair to say that her passion for theatre is eclipsed by her passion for women, children, international relations and other causes that someone who wanted to be president would be involved in, but Suffs I think is an opportunity for at least two of her interests (theatre and women) to coincide.
The hands-on producing tasks of gathering the creative team, shepherding the creative development process, striking contracts with venues, creatives and artists, developing and executing a marketing campaign etc is the responsibility of the lead producer, typically supported by a general manager.
Being a non-lead producer on Broadway (which Clinton would be), as I understand it, mostly involves raising money, and Clinton certainly has plenty of experience in that. And being a high profile celebrity certainly helps in getting the show's word out.