Hair Dye

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cross-posted from: https://sh.itjust.works/post/32623445

This hair color wheel visually represents the underlying pigments naturally present in human hair at different levels. These pigments are revealed when hair is lightened:

Underlying Pigments by Hair Level:

  • Level 2 (Darkest Brown/Black): Deep Red
  • Level 3 (Dark Brown): Red
  • Level 4 (Medium Brown): Bright Red
  • Level 5 (Light Brown): Red-Orange
  • Level 6 (Dark Blonde/Light Brown): Orange-Red
  • Level 7 (Medium Blonde): Orange
  • Level 8 (Light Blonde): Gold (Yellow-Orange)
  • Level 9 (Very Light Blonde): Yellow
  • Level 10 (Platinum Blonde): Pale Yellow

Complementary (Opposite) Colors for Neutralization:

Every underlying pigment has an opposite (complementary) color on the color wheel. These opposite shades are used to neutralize unwanted warmth when toning or adjusting hair color:

  • Deep Red (Level 2) → Opposite: Green (Neutralizes dark red tones)
  • Red-Violet (Level 3) → Opposite: Green (Balances red hues)
  • Red (Level 4) → Opposite: Green (Cancels strong red undertones)
  • Red-Orange (Level 5) → Opposite: Blue-Green (Neutralizes warm red-orange tones)
  • Orange-Red (Level 6) → Opposite: Blue (Cancels orange-red warmth)
  • Orange (Level 7) → Opposite: Blue (Neutralizes brassy orange tones)
  • Gold/Yellow-Orange (Level 8) → Opposite: Violet-Blue (Balances warm golden hues)
  • Yellow (Level 9) → Opposite: Violet (Tones down bright yellow tones)
  • Pale Yellow (Level 10) → Opposite: Soft Violet (Gently cools down any remaining warmth for a platinum finish)

How to Use This Wheel in Hair Coloring: Understanding underlying pigments and their complementary colors is essential for achieving balanced, natural-looking hair color results. When lightening hair, unwanted warmth can be controlled by selecting the opposite shade on the wheel:

  • Want to neutralize brassiness? Use blue or violet-based toners.
  • Want to enhance warmth? Choose a shade with gold, copper, or red tones.
  • Going from dark to light? Expect underlying pigments to shift in this predictable order—and plan toning accordingly.